Destructionism Influences The Modern Arts

The thesis mainly.studies influences of philosophy in the field of modern art according to destructionism and its series of revolutions in 1960s in France. The thesis is divided into three parts:firstly, exploring the origin of destructionism;secondly, influences of destructionism on modern arts;thirdly, significance to the rules and thinking of artistic creation.Paper will elaborate the origin of the first part of his philosophy studies point to the second part of the philosophical thought in the art form involved in the analysis of the specific study of the subject, thinking of the third part of the law of art the ultimate focal point for the study. To occupy the position of trying to interpret act dconstruction of the many factors that purpose.To make the basic direction, The first part of the thesis is focus on the main idea of Derrida's destructionism. In this part, the writer discusses the theme of destructionism to provide the theory basis for other fields of discussion. The writer discusses ideological connotation of destructionism as the basis for the other fields of philosophical thoughts.The second part is the most important one of the whole thesis. It contains three aspects:influences of destructionism on modern architecture design;penetration of destructionism on modern art and its indirect effects on drawing. In this part, the writer uses lots of cases and analysis.The last part is the key point of the thesis. Since destructionism drives any creation in the field of art, We can take the law of modern art as the result of production artists rebuilding and perfecting conservative ideas. The thesis illustrates inner link of philosophy and art, thought and form so as to provide more clearly and effective ways to the modern art creation.