The research object of this paper is Sun Jun’s "New Literary Painting Photography",mainly from the design research and analysis of Sun Jun’s "New Literary Painting Photography" characteristics.Firstly,in order to clearly grasp the current research situation of academic circles,the paper analyses the current research situation at home and abroad in the first chapter.By summarizing the previous studies,this paper argues that it is particularly important to strengthen the application of traditional Chinese cultural elements in portrait photography to integrate innovation and redesign.Secondly,in order to explore the possibility of the integration of portrait photography and portrait painting,in the second chapter of the paper,the similarities and interdependencies between portrait photography and portrait painting are analyzed,and the feasibility of the integration of contemporary Chinese painting and photography is demonstrated.Specifically,the similarities between portrait photography and portrait painting lie in that both of them are the reproduction of visual art in two-dimensional plane space.The difference between the two is that modern portrait photography can be reproduced and the painting of ladies can not be replaced.Modern portrait photography has objective reproducibility while the portrait of ladies is more subjective.At the same time,the integration of contemporary Chinese painting and photography is feasible,which is embodied in the feasibility of integration based on art rules and the feasibility of integration based on mutual independence.Thirdly,we can think that Sun Jun is the pioneer of the artistic creation mode of the integration of portrait photography and lady painting.Therefore,in the third chapter of the paper,we analyze the application of the visual design of the integration of portrait photography and Lady painting in Sun Jun’s works.It is believed that Sun Jun’s photographic works,which combine photography with Chinese meticulous brushwork,are essentially based on inheriting tradition to design and integrate with the times.This artistic innovation model not only constructs a new visual design language,but also integrates the essence of traditional culture and promotes the concept of humanistic spirit.Its photography creation not only inherits and develops the traditional Chinese culture,but also keeps pace with the times,which is both national and contemporary.Fourthly,finally,in the fourth chapter of the thesis,the author summarizes the full-text research,puts forward research prospects and launches graduation design creation on this basis. |