Deconstruction Of The Modern Cultural Context. Carnival

Wulitou(non-logic) Movies, which casted with Stephen Chiau(Zhou xing-chi), the famous Hong Kong comediean in the lead, are the typical comedy works in Postmodernist style. In the comedy feature, Destructionism and Carnivalization are the most important technichques to make audiences laugh .The French philosopher Jacque Derrida is the founder of Destructionism Theory and the Ruassian philosopher Bakhtin is the creator of Carnival Poetics. With Derrda's major destructive key words, difference, la dissemination and the basic principle of Derrda's Character Theory, I analyse the destructive tactics of Wulitou Comedy Movies throughout its conceiption, narration, and performance. By using Bakhtin's Carnival Theory in respect to work conception, figure design, type rhetoric and work sensation, I analyse the Carnival Aesthetics features of Wulitou Comedy Movies.I believe,paying more attention to Stephen Chiau's performance and Wulitou Movies'comedy characteristics, is significant to producing and reseaching the present comedy movies of China.