The Aesthetic Of Ceramic's Figure Paining From Mid-Ming Dynasty To Mid-Qing Dynasty

The object of this thesis is the Ming and Qing porcelain figure painting aesthetic.Based on the traditional figure painting, around the Ming and Qing dynasties porcelain decoration, as decorative ceramic figure of study aesthetic orientation.Another official to the people, by the blue and white to colorful, several sectors of the aesthetic differences, the origin of several decorative language development.Not to porcelain decorated with painting as a simple language, cultural background and life integration, and traditional painting, as corresponding to in-depth study.To a more comprehensive figure decoration on porcelain interesting to see, but also help themselves to the traditional painting more in-depth and thorough understanding.