Huang Oratorio "everlasting Regret" National Character

Huang Zi is a famous musical educator, artist and musician theoretically who is full of patriotic feelings.The oratorio named is the first oratorio of China. It has edificatory meaning for the development of four-part teaching material and for the creation of else large forms of vocal music. This paper research for the nationality of . Based on the contradictory of western compositional techniques and the nationality of the music composed by Huang Zi. Using the dialectical ideology of contradictions, This paper focuses on the respects of the theme, the times of the work and the compositional techniques to analyze the nationality of .The chapter 1 is a brief introduction, which introduces the research situation of and aesthetical ideology of Huang Zi, and then it elaborates the research meaning of this paper. In the chapter 2, the author introduces all the life of Huang Zi in brief, and sorts out the main happening which occur in study time and teaching time of Huang Zi. In the chapter 3, the author introduces the main contradiction about Huang Zi's musical produce, that is contradiction westernization and nationality, and then reveals that the contradictory of western compositional techniques and the nationality of the music composed by Huang Zi is just the contradiction of form and content. In the chapter 4, the author researches into the nationality of from the theme, the times of the work and the compositional techniques, and then indicates the inadequate in the Huang Zi's exploration of national music creation. In the chapter 5, in the last, the author introduces the effect to our country's produce of else large forms of vocal music, and thinking about the oratorio's development in China.With regard to the research of ,the main method is using comparative study,or based on the aspects of aesthetics. With regard to the research of Huang Zi's aesthetical ideology, the main method is based on the aspects of pure aesthetics, the front researchers has not gone up to the height of philosophy to understand the contradictions. The author believe that we should not evaluate Huang Zi's aesthetical ideology just use right or wrong, we should confront of the contradictions positively. We could use the dialectical ideology of contradictions to understand Huang Zi and his music. The author chose another way, using the dialectical ideology of contradictions to analyze the nationality of, this method is very rare in the research of Huang Zi. The author hope that this paper will give a important reference to the research of Huang Zi and his music.