Mode Of Discourse - The Iranian Children's Film Study

Since 20 centuries 80 arrives at the nineties, Iran children theme film is continuing without end and becoming core force of the Iran new film. Making a general observation of Iran films, they have many characteristics different from the rest. The film mostly Pays close attention to the reality, which is short of high technology means and also has the rich nation and region characteristic. What is the most unique and different thing from other countries film is that the subject matter mostly gives first place to children, having formed repetitive and unitary pattern style. Their subject is deep, style is plain, and having broken the general category of children's movie that has not only written the story of children's world but also concerned the refraction to the adult world and society. These large amounts of work about children have identical subject matter but have their own characteristic, which also have monotonous circumstance but moved. The subject is unitary, but beyond the soul. The personage is alike with minor differences, but all are fresh lively. The environments are similar, but all has their own charm.The prevailing of the Iran children film phenomenon has its incisive society and culture background. First, the Iranian modern social economy, the political development to the social culture atmosphere, the movie policy has had the profound influence, causes the child theme to grow strong by a more obvious superiority. Next, the well-established poetry, the religious words and the national tradition have the intrinsic relation to the prevailing of child theme. This kind of children theme movie is difference from the common child film's education function, which nearly all carefully examines the adult world through kid's judgment, to expresses author's psychological intention indirectly. This kind of special function enables them to become one kind of child angle of view words, and explains through each one similar style text which repetitive transmits creator's thought sensation and the emotion divulges. This kind of pattern tendency movie creates has brought the honor for Iran film, also has caused the anxiety. The author discusses the in-depth reason behind this kind of phenomenon to make the philosophy and esthetics value judgment, and points out its existence insufficiency. The Iranian children's film has already taken a special strength appears in the world film circle, yet our country is still at the start stage to its research. Therefore, it's very urgent to comb and summarize the subject. As an Asian movie's unique phenomenon, both of the success and insufficiency has the model significance to our country's children's film.