| Since the reform and opening up,Chinese children’s film in the creation of a great change.In 1981,the establishment of the China Children’s Film Studio and the establishment of the Children’s Childhood Award in 1985 all greatly inspired the enthusiasm of Chinese filmmakers for children’s films.The creation of Chinese children’s films then entered a prosperous period.This paper explores the main features of Chinese children’s film creation since the reform and opening up,taking the children’s film narrative strategy and audiovisual strategy as the research object of the Chinese children’s film in the Mainland since the reform and opening up.In view of the present situation of the definition of children’s film is more vague status quo,the paper on the children’s film for a more intuitive and detailed definition of the study will focus on the reality of the interpretation of the feature films,including"pure children","quasi children" and "children’s point of view Piece "on.The article argues that there have been several phenomena of centralization and replacement of Chinese children’s films since the reform and opening up.The first part of the paper focuses on war children’s movies,perspective of smoke in the "little hero".This paper mainly discusses the historical context,development profile and value orientation of war children’s films,analyzes the narrative strategies of war children’s films,discusses the audiovisual art of war children ’s films since the reform and opening-up,and summarizes the characteristics of children’s film creation.The second part focuses on rural children’s film,through the field of "good boy" performance,perspective of the film’s moral outlook.This paper analyzes the narrative strategies and audiovisual strategies of rural children,and sums up their creative characteristics.At the same time,the academic circles have made a new assessment of the tendency of this topic"pan-moralization".The third part focuses on contemporary children’s film creation,perspective film "child-centered" return..This paper explores the characteristics of Chinese children’s films at different stages of children’s film creation since the reform and opening up,and tries to provide a new way of thinking and direction for children’s film research. |