Iran's New Film Research In The 1990s

Since 1906,Iran built the first move theaters,and after the late development,the Iranian film industry has a certain scale.By the impact of World War II,Iranian film began to fall into a downturn.The first wave of new Iranian films was opened in 1969 by Daurush Mech Jay's film "Cow".In 1979,after the victory of the Islamic revolution leded by Khomeini,the film's scale and subject matter were limited.Iranian film has got repeatedly hit,film workers in this harsh creative environment had a veryhard way.Perhaps because the film review system is harsh,Iranian film don't show us the mass war and the killing screen,also prohibit pornography,do not advocate Hollywood-style science fiction.These sensitive themes are regular bombs.Iranian filmmakers avoid minefields and return to the people themselves.World movies are always focus on the bottom of the people's life shooting,but only the simple Iranian film really let us heart touched.In Abbas' s long shot,we learn to wait,always waiting in place,endless desert,no end of the winding path,over and over again and again.In the Iranian film,those ordinary people,humble survival.Because of religious and political reasons,Iranian film have to abandon these themes,the film lens at the people,are concerned about the fresh life of individual and human care.George Orwell said that your rejection of politics is also a political attitude.His point of view is not unreasonable,how to deal with this relationship in the film is important.In the Iranian film,who can say that there is no system behind the suffering of the factors,but they are different from us,not the evil are attributed to people eat people's society,there is no stylized blood and tears complain.Iranian film in the specific predicament,the excavation of human nature will guide him how to doubt and choice,wandering and not abandoned.Iran's second wave of new films is inextricably linked to its social background,politics,religion,culture and economy.Iran is a theocratic Islamic state,There are quite a lot of restrictions on the Iran film.The Iran film workers are called "Shackled dancer".As a result of political,religious,economic and other factors,the Iranian film focus most onthe perspective of children and women,the choice of the storyare generally ordinarypeople and things to see small,fresh style.The introduction partintroduces the Iranian film research statusand the researchsignificance.The first chapter mainly talks about the Iranian social background of thenew film tide,the film under the reform of the Iranian film policy system and the reason and the effect of promoting the second wave of new film tide.The secondchapter Combs the main directors of the second new film tide,showing their status and influence in Iran's new film.The third chapter focuses on the analysis of the characteristics of thenew Iranian film style,explores the influence of the director as the author's participationin the film activities,the wandering on the edge of fantasy and reality,the influence ofthe Italian realism on the new Iranian film,the image of the children's film in the adult perspective.Finally,summed up the success of the new film tide experience and revelation,Iranian film is the world's film cannot be ignored one of the new forces.