| As a milestone poet in the "Ci " history, Liu Yong was respected and praised highly by poets for thousand years. In Northen Song period, the society was steady, and the econormy was prosperous, on such a great historical background, Liu Yong created his own unique style with his outstanding literature knowledge, artical and musical talent. And he made indelible devotion to the development and maturation of this literary genre-"Ci". Especially on the field of "long and slow melody", Liu Yong had done tremendous initiatory work, he also had made a solid foundation of Zhou Bangyan's great achievement of "Ci". Researchers had made an ocean of remarks and comments on Liu Yong's art styles and skills. Essays on appreciating and analysing his certain works and recognized worderful "ci"s would be seen everwhere. A group of scholars with Mr. Xue Ruisheng as delegate had made an enormous effort to researching Liu Yong's life and trace. But academic circles seemed do in sufficiently on studying the exact melody which was used in 《The Collection of Movement》 . So, this essay was aimed at arranging those melody or pattern which was carried in《The Collection of Movement》 for the first time; It was one basis of 《Proofread of The Collection of Movement》; We had refrenced KangXi's 《The Melody Confirmed by The Emperor》, Wan Shu's 《The Melody of Ci》, Du Whenlan's 《Gleaning of The Melody of Ci》 and Wu Outing's 《The Index of Melody》; According toMr.Tang Guizhang's 《The Whole Collection of Ci in Song Dynasty》, 《The Whole Collection of Ci in Yuan Dynasty》,consulted 《The Record of music Bureau》 and《The Collection of DunHuang's Lyric》. We were triying to make clear the origin of those melody or pattern. Because of my comperrtence limitation, this essay is merely a rough outline, but in the reach of my ability, I will find and solve question based on my observation. |