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Ink In Graphic Design Culture

Posted on:2012-04-14Degree:MasterType:Thesis
Country:ChinaCandidate:H C ZhangFull Text:PDF
GTID:2205330335971372Subject:Art of Design
Abstract/Summary:PDF Full Text Request
Ink with Chinese history to today, encompassing its profound cultural, traditional Chinese ink painting, as a manifestation of Chinese culture, the history of Chinese painting in a pivotal position, and its effects through the ink, showing the human spirit of China, Confucianism, making it the world a profound impact on art history. Ancient understanding of nature through the brush, thinking of nature, realized "Heaven," "the good is like," "benevolence", "Buddha is the heart, and the heart is the Buddha "," Nian Hua Kasyapa Buddha smile." Ink is not just a modern design language of symbols; it is excellent, five thousand years of Chinese culture carrier. Ink is a treasure of China, which is rich in Chinese culture, modern China has a profound influence on graphic design. Chinese ink painting is a symbol of modern graphic design reflects the content of traditional Chinese culture, packaging design, image design, Graphic Design ... the manifestation of the use of ink will be more appropriate, more in line with the inner spirit of the group generated more easily with the audience resonance.Today, outstanding graphic design works in the ink contained in the graphic design offers endless cultural expression, not only the use of new perspectives and techniques to show up, while the cultural show with a new visual language in front of the public. Social development, graphic design, ink forms the performance with the new visual language of the humanities, people on the Recognition of traditional culture, design ink performance art form of Chinese art and design have a profound impact. Chinese thinking is profound; the discovery of local culture is designed to development.This paper is divided into five parts. The first part of the introduction, describes the background issues, status, research objectives, significance and methods. The second part is mainly made ink culture, the culture in the design of ink and ink used in graphic design and cultural expression. The third part of the ink in the graphic design culture is embodied in the summary from the symbolic meaning of inheritance of the three angles described and demonstrated. The fourth part of the first analysis of ink in the culture of innovation in graphic design, from the United States, mood and culture of innovation in three areas were summarized. And then I ink works by analyzing the case of own creation, from the perspective of graphic design in the interpretation of ink in the design of culture, seen from the work culture, seen from the culture works, look for and an understanding of the profound Chinese culture, try the theory and practice unity, seen from the design ink, ink seen from the wisdom of their ancestors in a search for answers. Further elaboration and demonstration of ink is in the graphic design of the culture. The last part is the article's conclusion in Graphic Design through the ink in the article of cultural analysis, recognized the words used in modern graphic design, the combination of the two languages have a unique visual experience and cultural connotations. Innovation is to explore new aesthetic, the new mood, new culture. Chinese culture has a "Distinction", "inclusive" vitality, accumulated in the course of history in numerous foreign cultures initially, and ultimately internalization and the formation of the nation's own cultural ideas, enrich the original content.
Keywords/Search Tags:pen and ink, design, culture, tolerance
PDF Full Text Request
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