The context mainly conducts the research on development and mode of current arts exhibitions in China, accentuating the research of Shanghai Biennial and analyzing international models of Shanghai Biennial with its own Chinese characteristics, dwelling on its internal relationship is included. As for the concrete research of Shanghai Biennial's mode, the context carries out the analysis and comparison through those aspects, politics and environment, the theme of exposition, artists and their works, curators and the exposition space, minds, and funds. Proceeding from the development of history and combining with the features of contemporary arts in China, Shanghai Biennial is embodied with Chinese own characteristic. The demerit and success of Shanghai Biennial are probed into deeply, the thesis also places emphasis on the Chinese contemporary arts influenced by myriad expositions with various cultures. Analyzing the developing trend of Chinese current art exposition in plurlism, and putting forward the spirit of holding exposition, emphasizing the implementation with own Chinese characteristics in simultaneous with drawing merits and references from western arts expositions in an all round way and establishing international brands. |