Thinking About The Contemporary Nature Of Watercolors By Shenzhen International Watercolor Biennial

The development of contemporary art is associated with contemporary historical reality.The history of art has emerged in various forms in the flood,and it has presented a variety of visual scenes in the process of constant replacement.In the current period of post-modernism,the proliferation of popular culture,and the traditional marginal paintings regarded as elite culture,the arts and theories of various “concepts are paramount” are on the dust.After the70 th century,watercolors have taken the breeze of reform.In the spring of ushering in the development,in the past 30 years,the development of Chinese watercolor has been unprecedented.When certain academic statuses are determined,there are problems that cannot be evaded.The exhibition and judging standards of the current domestic large-scale watercolor exhibition are closely related to the old tradition of stylistic commemoration.From the perspective of art history,those artists who uphold the attitude of “change” seek to incorporate some elements of traditional watercolor into the contemporary In the art,more possibilities are explored to explore watercolor art.It is undeniable that the traditional easel painting continues.As a watercolor art embedded in the history of art,the continuation of its development and the rationality of existence forced us to explore and activate the new recognition of contemporary Chinese watercolor painting research and creation.Knowledge,sketching out what the current social watercolor paintings should have,escaping a “lack of attitude” attitude and actively participating in the process of contemporary art,trying to discover the socio-cultural landscape hidden in watercolor and the humanities of the current society.care.This article selects the contemporary Chinese watercolor theme,takes the Shenzhen International Watercolor Biennial as the research object,combines the current status of Chinese watercolor paintings,tries to analyze the development trend of Western mainstream watercolors,and analyzes,compares and summarizes contemporary China from the perspective of pure visual exploration.The predicament of watercolor painting is to explore the theoretical research ideas of contemporary Chinese watercolor paintings,and at the same time,to put forward my thoughts on the contemporary nature of contemporary Chinese watercolor paintings,which will help us examine the contemporary Chinese watercolorpainting theoretical research and artistic creation in a broader perspective and make us more Rational thinking about the contemporary issues of art.