Henan Jiyuan Balcony Palace Style Of Decorative Patterns

The Yangtai Palace is a Taoist Temple in Jiyuan, Henan province, the three-ching of the Ming Dynasty is only hall-style wooden buildings in Henan. It has a very important historical value in the construction sector, the existing works of art has been seen art treasure of the Ming Dynasty. However, because of war, history and geography, such as remote geographic reasons, people in the arts palace balcony in the field of research and exploration is almost a blank. This article on the palace balcony of the historic heritage-based, with its two main construction and a number of building elements in the decorative patterns as the main content, to analyze the study's main palace balcony and artistic style characteristics of the Ming Dynasty in China in order to confirm the characteristics of arts and crafts and development trends, summed up the style of China's ancient decorative patterns on the impact of modern graphic design, to promote the traditional folk culture, added a rich language of the purpose of modern design.In this paper, the content can be divided into four main parts, the first part of the background knowledge, respectively, which introduced the Temple Terrace location, the development of history, such as the existing structure, a detailed analysis of the second part of the palace balcony of the contents of decorative patterns sources, the form of characteristics, by comparing the third part of a more clear way to sum up the palace balcony of the artistic features of decorative patterns, as well as the characteristics of the Ming Dynasty style, and finally some concluding remarks. Generally speaking, a series of palace balcony sculptures in the subject matter content, the form of style, as well as the carving technique on the era have a strong identity and religious identity, which is different from the Qin and Han rough large sculpture, rich gorgeous Tang and Song Dynasties sculpture, a series of palace balcony sculptures carved in the Ming Dynasty reflects the spirit of the pursuit of realism, and the combination of the characteristics of the creative process does not fully portray the details of a more holistic conception of expression, giving a space for something more to say imagination.Temple Terrace through the analysis of family patterns, we can see that the Ming Dynasty style shows the characteristics of a simple and elegant, not so much in the Tang Dynasty complicated details of decoration, giving a fresh aesthetic and rational, with the era before the decorations subjects compared to the Ming Dynasty more realistic decoration patterns of creation, a more rigorous style, in line with the more secular people of the aesthetic consciousness.