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China "Embroidery" And Western "Lace" Aesthetic Comparative Study

Posted on:2015-10-12Degree:MasterType:Thesis
Country:ChinaCandidate:C T LvFull Text:PDF
GTID:2181330431498570Subject:Design
Abstract/Summary:PDF Full Text Request
This article mainly from the clothing design gimmick, clothing form and Chineseand western aesthetic thoughts, such as different aesthetic Angle as the breakthroughpoint, through discussing and citations will be traditional Chinese representative of"embroidery" and "bud silk" of western appeal is analyzed and compared."Embroidery" of China and the west"bud silk" is not only the good tradition ofregional culture, but also on the international stage on the design of the element andinspiration, in addition, the "embroidery" and "bud silk" on the process and formbeauty has inevitable inner link, therefore, has a profound significance on the contrast.In this paper, the comparative study of "embroidery" and"bud silk" is mainlymanifested in the following three directions: first, the "embroidery" compared with"bud silk" shape differences, mainly from the following three aspects: to sum up: a,process more-increment and decrement of visual perception, that is, the increase ofaddition design (embroidery) and reduce (lace) reduction of subtration design; Second,the pattern comparison-embroidery totem of bailment and lace flower adornmentlasting appeal of contrast; The comparison, color-that is, the embroidery of the eastthe beauty of artistic conception and the romantic charm of the lace. The second willcompare content is: Chinese embroidery lace aesthetic difference compared with thewest. Mainly by:(1) different forms from the west to see "embroidery" and\"budsilk\" reverse interpretation of the flesh, the lust of ancient China’s aesthetic cover--excitation of the embroidery and modern western clothing aesthetic passion-lace;Second, the difference in the form of the "embroidery" and"bud silk" differentexpression of beauty; The rational connotation of Oriental aesthetics and the leakageis bold and unrestrained comparative study of western aesthetics. The third is thecontent of the is the last chapter of this article-with embroidery lace to western dressculture differences, Chinese and western different cultural concepts and culturalbackground reflected in the costumes of different origin in form and will be theinevitable trend in the future both diversity fusion. This research train of thought is theChinese and western different regional comparing directional two traditional processforms and with history as a clue, with Chinese and western culture as the backgroundto explore the internal connection and difference. Therefore, this research focus in thethird chapter, the fourth chapter, from the Chinese traditional handmade laceembroidery with the west, the clothing culture between Chinese and western elementsin the clothing technology of different aesthetic tendency.In today’s global cultural fusion, as a culture carrier, to meet people’s growingmaterial and spiritual needs at the same time, but also human to a kind of selfexpression, is that it gives a wearing concept and forms of life, are able to become aclassic excellent traditional crafts are spread and carry forward also because of its richhistory and it gives people strong humanistic feelings, even in today’s culturalpluralism can with new forms and creative thinking sparks of flowery.
Keywords/Search Tags:Embroidery, Lace, A comparative study, Aesthetic interest, Theaesthetic differences
PDF Full Text Request
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