| This paper discusses the composition structure of the "transforms" structure, hoping that through the analysis of the specific drama script of Yuan Dynasty, so that the composition structure of the "transforms" has been re-evaluated, while able to reveal "transforms" law of the phenomenon is universal in Yuan-Dynasty zaju plays.Chapter one mainly discusses the review and evaluation of the "transforms" structure. Firstly, it discusses the Origin of the "transforms" structure. The "transforms" structure as one of the tricks of the ancient Chinese poetry, there are the origins of its historical development. Specifically, the "transforms" structure germinated in the trial law and law practice of Tang Dynasty, formed during the Song Dynasty text, and strengthened in the Ming and Qing stereotyped, the universal use in the practice of the verses. Secondly, it discusses traditional understanding of the "transforms" structure, of the traditional understanding of several issues discriminate, the one, whether the "transforms" structure is stereotyped patent; the two, the "transforms" structure is "living law" or "dead law "; the three, the "transforms" structure is of general applicability. Thirdly, it discusses new understanding of the "transforms" Structure, "transforms" Structure is a language expression pattern and rhetoric organization of our nation, but also in the public civilian view,it summarize the law:happen, development, turning point, the general rule of the end of everything in life things, it is a way of thinking. There is the "transforms" in many Chinese Ancient Literature, in fact, Authors have no "transforms" structure in the heart before writing, deliberately, but the internal form naturally constraints the external form, the foreign form naturally adapt the internal form. The special stylistic feature of "a four fold "of Yuan-Dynasty zaju plays is the choice of the unity of internal form and external form.The second chapter discusses the production of Yuan Drama "a four fold" "transforms" structure. Firstly, it explores the origin of "a four fold" of Yuan-Dynasty zaju plays, denies that the formation of special regime of Yuan-Dynasty zaju plays "a four fold" is inherited traditional poetry, drama plot arrangement, the Song Dynasty views, certainly special forming system of Yuan-Dynasty zaju plays is the basis of the Song Dynasty inherited the old body, is the unity of choice of inner and outer form of the structure "transforms", "a four fold" "transforms" is a truth.Chapters â…¢ and IV, mainly through script analysis, demonstrate "a four fold" formation of a special system is the result of inner and outer form of the "transforms" structure. Firstly, the third chapter analyzes the internal and external standardized form "transforms" Yuan-Dynasty zaju plays. Second chapter analyzes the inner and outer flexible form of "transforms" Yuan-Dynasty zaju plays, and different types of flexible scripts are inductive analyzed, which is a particularity with respect to the standardization of "transforms" Yuan-Dynasty zaju plays, the "a four fold" "transforms" law of Yuan-Dynasty zaju plays is the unity of universality and particularity, and from the side, the Yuan-Dynasty zaju plays "transforms" structure is flexible rather than rigid, unimaginative. Exclude a handful of non-"transforms" Yuan-Dynasty zaju plays, "transforms" law in the Yuan Dynasty is ubiquitous.The fifth chapter discusses the assess of influence of the "transforms" structure on the agenda of Yuan-Dynasty zaju plays. Firstly, it discusses "transforms" structure for the beneficial effects of Yuan-Dynasty zaju plays, from a macro point of view, "transforms" structure to promote the development of Yuan-Dynasty zaju plays, from the microscopic point of view, "transforms" structure is conducive to the development of the Yuan Dynasty plot, characters image. Secondly, it discusses "transforms" structure adversely affect the structure of Yuan-Dynasty zaju plays, Yuan-Dynasty zaju plays under the yoke of "a four fold," the careful and precise system becomes solidified, dull, rigid, and later more and more reflected in its limitations, inadequate institutional performance in the so-called" spent force" about fourth fold of Zang Jinshu in Yuan Dynasty on this point. |
