A Study On The Description Of Gardens In Yuan Zaju

Garden is the carrier of Taoist culture.Garden description is the occasion of literary narrative.When the garden enters the Yuan-Dynasty zaju plays,Culture encounters literature,the garden description of the Yuan-Dynasty zaju plays absorbs the natural attributes of the physical garden,supplemented by the virtual concept of literary creation,thus possessing a unique cultural spirit and aesthetic characteristics.It reflects the relationship between "man and nature".The "person" here refers to the characters in the script on the one hand.After describing the garden into the screenplay,which consists of a mere image,into a dynamic space with the integration of narrative time.It is transformed from an isolated field into a narrative that is closely integrated with the activities of the characters and the evolution of the plot.By comparing it with the legends of the Tang and the gardens in the HuaBen of novel in Song-Yuan Dynasty,you can find that the kind of intentionality in narrative is to deepen and develop from the Yuan-Dynasty zaju plays,thus forming a stable paradigm.On the narrative structure,the garden description of Yuan-Dynasty zaju plays also shows the characteristics of lyricism.It is a way of expressing emotions.The emotions here refer to both the characters'emotions in the play and the emotional will of the playwrights.The reason why the garden description in Yuan-Dynasty zaju plays can possess these two characteristics has become a comprehensive literary field,which stems from its juxtaposition,unity and extension of the imagery in the garden.Through the orderly aggregation of imagery in the garden,it forms a patchwork of image groups,adding poetry to the garden description,so that it can more fully express its meaning.The "people" here also refers to the people who created the Yuan-Dynasty zaju plays.The literary works described in the Yuan-Dynasty zaju plays are built by the world,and are the time and space.Through the garden and the heavens and the earth,you can capture the corner of the real society.The playwrights of the Yuan Dynasty,it is difficult to be an official,and they are not willing to live in seclusion.It is difficult to enter the court.The garden descriptions in Yuan-Dynasty zaju plays reflect their cultural experience and express their social expectations.They exiled themselves in the gardens in order to gain control over their lives.This kind of seclusion and escapism is in the same vein as the Taoist cultural core of the garden.This article revolves around these two relationships.The introduction part clarifies the topic selection and significance of the paper,the research methods and strategies.The concepts of easy confusion and specific connotation,such as "garden space","garden scene","garden conception","garden description" are defined,and the research status of garden description in Yuanming drama and Yuan-Dynasty zaju plays is summarized.And commentary,paving the way for the study of garden descriptions in Yuan-Dynasty zaju plays.The first chapter is the study of the overall style of garden description in Yuan-Dynasty zaju plays.Starting from the garden itself,it studies its situational features,functional patterns and aesthetic temperament in Yuan-Dynasty zaju plays.From the perspective of narratology,it reclassifies the garden based on the difference between the degree of imaginary writing and the degree of concealment,distinguish it from the physical garden,and analyzes the narrative process of garden description.Impact.The second chapter is the important image in the description of Yuan-Dynasty zaju plays.This chapter not only cites four important images in garden description,analyzes its purpose and function,but also analyzes its symbolic level,pointing out that the imagery in the description of Yuan-Dynasty zaju play's gardens shows multi-level referentiality and fits into the garden description."Hidden" temperament.The third chapter is the similarities and differences between Yuan-Dynasty zaju plays.and other literary genres.By comparing it with the garden descriptions of the homologous Tang legends,it is found that the garden descriptions in the Yuan-Dynasty zaju plays play the plot to promote the plot,and the shaping of the characters is much better than the Tang legend.Comparing it with the garden description of the Song dialect,it is found that the connection between it and the narrative is more closely.These are the proofs that the garden description in the Yuan-Dynasty zaju plays begin to be a self-contained paradigm.The fourth chapter is the cultural perspective in the description of Yuan-Dynasty zaju.This chapter combines the theory of cultural stratification to make a detailed analysis of the culture contained in the description of Yuan-Dynasty zaju.Firstly,the cultural layer cultures presented in it,such as imperial power,class,and family status,are discussed.Secondly,the aesthetic cultures contained in them,such as poetry,music,and painting,are explained.Finally,the relevant background is used to influence the background.The mentality culture created by the playwright is outlined,reflecting the relationship between man and nature.