| Nihuaben novels as one of the ancient novel style, to the Ming Dynasty, showing a flourishing trend. Feng Menglong creation of "Sanyan" marks the prosperity of imitative novels, PAP written by Ling Mengchu "Erpai" is the peak after "Sanyan". Quasi vernacular style in the development process is not static, with the development of the times, the care of the unique personality of the writer, intends to style of Huaben novel showing a new trend. At the beginning of Qing Dynasty, Li Yu followed the traditional system, and showed the tendency of innovation, the quasi vernacular novels presents a distinct personality characteristics, for the beginning of the Qing Dynasty quasi vernacular novels in the touch of bright color. Li Yu is not only a famous opera house in early Qing Dynasty, drama theorist, was an accomplished novelist. Li Yu’s novels not only (Zhanghui Novel) and short (structure of Nihuaben Novels), of which the quasi vernacular fiction is the most representative. Li Yu has retained Nihuaben novels in a total of 30 articles were collected in "Lian Cheng Bi" and "Twelve Towers" two album. A close reading of the text, it is not difficult to find Li Yu quasi vernacular novels not only inherited the style of "San Yan Er Pai", presents the tendency of innovation. At the same time, Li Yuni also shows the vernacular novels stylistic fusion tendency. Li Yu as the creation of opera master Nihuaben novels, drama creation thought care novels, forming fusion style unique scene. This paper attempts to analyze the stylistic features of novels to be personalized, showing Li Yu’s unusual personality charm.This paper is divided into three chapters, the introduction, after more than on.The introduction part gives a brief account of the origin of the topic briefly Li Yu intends to vernacular novel research history and current situation, through the analysis of the status quo, to sum up this topic research goal and the significance.The first chapter, research on Li Yuni’s novels from two aspects of system. First of all, the external system, Nihuaben novels by Feng Menglong, Ling Mengchu, and after finishing a fixed system. Li Yu breaks the traditional system, the specific performance of the creation time of Nihuaben novels. Wait, return back to the number of each novel Hui novel, back and back to the title of the interface between the personalized language. As well as the flexible head. Number of performance for digestion head, double headed back, relationship between re together for one thing; position, the head is arranged in the front, or will head back to set in. Also for flexible processing of poems in the novel, not only from the Jizhu, citing his creation of novels, but also flexible tail poetry. Secondly, internal structure, Li Yuni novels very much in line with the traditional drama theory, the "Mastermind" dense needlework "" subtracting clues "method to the layout of the imitative works of Huaben novel structure. The imitative works of Huaben novels mostly adopt single structure, to the end of a line, no lateral branches; according to the story, development, climax and ending to the global structure. By the time the order with the story, narrated in chronological order, with a small amount of pre narration and flashback clip. At the same time, most of the novels of Li Yuni and the repeated contrast way layout.The second chapter mainly studies the expression of Nihuaben novels. First of all, Li Yu’s novels are worth paying attention to. The argument position is flexible, not only found in poem after, after the first, also found in a story end after, even in the story. The discussion on the personalized strong color, discussion self advertised, and showing a new trend. Secondly, Li Yu in the novel in the extensive use of rhetoric, rhetorical question, antithesis, repetition, parallelism and so on, the use of these rhetorical devices enrich the expression form of the novel, to create the atmosphere of storytelling, humor style, strengthen the educational function of novel.The third chapter mainly studies Li Yuni "s language style. The language of the novel is popular, good use of colloquialisms, slang and narrative language in harmony, no adhesion of the sense of; the dialogues of the novel is easy to understand, witty, revealing the philosophy of life. Humorous language, the skills of using language, concise language of the novel, "joke is threatening to" wonderland. However Li Yu also not the blind pursuit of humor, can also through the use of humorous language art weighty expression of opinions on things, to social satire. Li Yu to a dramatic plot, humorous and witty language about his own experience of social changes, and the social reality and the vulnerability of interpersonal relationship. The language of the novel is also showing a trend of innovation. Hand is not limited to storytelling formulas and trying to change and novelty; on the one hand the drama language into quasi vernacular novel language, so that the two complement each other.Part I will discuss the development trend of Nihuaben novels, on the one hand is the tendency of intellectuals, is a secular trend. Li Yu with its unique personality charm, show the fusion of literati and secular development. Not only attract the readers with vivid plot, but also by virtue of the Shidao Yu advised a fine literary style. At the same time, more discussion is also concerned about the dramatic tendency of Li Yu in Nihuaben novels. Dramatic characters, plot and language makes Li Yu Nihuaben novels and opera style shows fusion trend. |
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