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Posted on:2017-01-27Degree:MasterType:Thesis
Country:ChinaCandidate:S Z FengFull Text:PDF
GTID:2175330488457394Subject:art
Abstract/Summary:PDF Full Text Request
With Chinese and Western culture of many exchanges and their impact, the Chinese painting painting has become increasingly diverse, using only the traditional form of painting may have been unable to meet the needs of the contemporary artists creation, more and more artists began and continue to develop a variety of painting techniques to meet the aesthetic needs of their inheriting the in based on the original form of painting, "develop the useful and discard the useless" and "innovation" has become the mainstream, the exaggerated deformation is one of the most commonly used approach to painting. Many Chinese painters to enhance mutual emotional expression of the picture, the distortion approach, which also affected the our thinking and choice in the creation of Chinese painting art on the road, whether the deformation. How deformation is our continuous thinking, deformation is not necessarily the us to pursue painting means, but a correct understanding of deformation to make us a better understanding of the Chinese figure painting style, so that our creation in the future can have more choices in the use of Chinese figure painting.
Keywords/Search Tags:deformation, Chinese painting, figure
PDF Full Text Request
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