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A Study On The Mural Paintings Of Tombs

Posted on:2016-03-04Degree:MasterType:Thesis
Country:ChinaCandidate:L N GeFull Text:PDF
GTID:2175330470478262Subject:Art theory
Abstract/Summary:PDF Full Text Request
The period of WeiJin Southern and Northern Dynasties is very important for Chinese art. The process of transformation is uniquely reflected by a peculiar art type, tomb character images. Ideas for different times of life and death, the most direct expression of nurturing character, but the image data or enable people to death at the time of conception have an extra layer of understanding. Nanjing xishanqiao tomb with "Bamboo Grove and Rong Qiqi map" as the theme of the mural, is simultaneously the subject of mural tombs preserved most intact one, the characters are unique, to understand the Wei, Jin demeanor behind Guests People contradictory concepts of life and death provided the image of the material, more reflects the social life, expressing the sincere secular feelings, their style of development and change with an obvious trend towards the deep cultural differences, and from the explanatory plot rise to the expression of mood, and the delicate aesthetic pleasure caused by the transition from put up rough aesthetic experience.Moreover, research on this topic on the "Bamboo Grove and Rong Qiqi map" as the theme of the mural, belong to Methodology study on "In Fig certificate history", this study on the "Seven Sages" mural targeted full comb, summarized Southern and Northern Dynasties fight in brick painting performance techniques, styles and characteristics and mutual relations between the Han and Tang tombs context of the evolution of the character image program, so as to provide a reference for the painting and the person image tombs Wei and Jin Dynasties and learn from.
Keywords/Search Tags:Seven Sages of the Bamboo Grove, goldsmith, idolization, innovation, scroll
PDF Full Text Request
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