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Feel The Landscape In The "point Of View"

Posted on:2015-07-10Degree:MasterType:Thesis
Country:ChinaCandidate:Q SunFull Text:PDF
GTID:2175330431490075Subject:Art
Abstract/Summary:PDF Full Text Request
Su Mo in ancient times is generally not common, there are even sayinggoes"would rather three days do not wash, not a day do not wash inkstone", thatmakesme feel very interesting, but in the early Northern Song Dynasty Guo Xi’s "Lin QuanGao Zhi" of ink has been applied, Mr. Huang Binhong’s landscape paintings alsoused ink ink painting, then obtained the widespread application. In mygraduation creation in order to make a breakthrough, and started learning touse ink painting. When the reference master Su Mo’s works, I noticed the little "figurein landscape painting" landscape painting,gradually, I was attracted by these "figure inlandscape painting", the biglandscape painting, figure occupies a small part of thepicture can let a person produce different artistic conception the whole landscapepainting is not the same feeling. Luo Dan once said "art is emotional," not based onfeelings of the art is aeriality, appear landscape painting "figure in landscapepainting", is a manifestation of this painting his own thoughts and feelingsthrough thesmall character expression. The point of view characters plays a very important rolein China landscape painting, landscape character not onlyhas a very rich aestheticmeaning and value, but also includes the rich cultural meaning and humanisticconnotation. In this paper, through theunderstanding of "figure in landscapepainting" in the graduate creativeperiod and appeared in the creation process of aseries of problems, I talk about the "figure in landscape painting" some understanding.
Keywords/Search Tags:ink figure, in landscape painting
PDF Full Text Request
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