The Study Of Chinese Traditional Landscape Painting Midpoint Figure

the Chinese traditional landscape painting is a big family, in theChinese painting in Chinese art history also occupies a largeproportion, and deeply rooted in traditional Chinese culture. Chineselandscape painting emphasizes the spirit with man as major bodyharmony with the nature of the object, through the observation anddescription of natural scenery, its aesthetic connotation, and blend inthe feeling of the ICONS, thus attaining the state of the scene. And thepoint of view, in the Chinese landscape painting and the aestheticconnotation of landscape painting has a very important relationship.The research point of view, for we studied philosophy and connotationin the landscape painting plays a very important role. Especially thepoint of view of the character, contains a very rich aestheticsignificance and value, also contains the profound connotation ofculture and the humanities.The focus of this paper is from the human and the naturalneighbors, close to nature, close to nature as a starting point, to showpeople see nature as a separate life, and people with equal attitude inthe face of nature. Nature and to the role of the environment of humanlife and human existence background, show the human home to the warmth of the family. Chinese landscape painting is because of theemergence of a person, just showed its vigor and vitality, although itis usually to a small area of the image in the format adorned amongthem, but its significance is extraordinary, and hours can rise to adornaction, big can even make the finishing point, and at the head of theglobal effect. Therefore, as a point of view in the characters oflandscape painting, as well as our research provides a new subjectwith abundant theory resources.Through the study of this paper, we have to achieve the purpose ofthe is based on the research of the traditional point of view oflandscape character, make our heritage of the landscape painting ofthe new era, to learn about the today’s landscape painting andtraditional landscape painting, shown by means of different paintingsin different periods. At the same time, through understanding andresearch on the use of traditional landscape painting midpointlandscape character, and then to our tradition of the new period, canlearn the correct view in the new era under the influence of westernpainting impact, landscape painting midpoint landscape charactersof different ways to use and performance.The innovation of this paper point I mainly discusses from thefollowing aspects: from the point of view character development ofdifferent era, analysis point of view of the different characters in eachera, and from the picture composition, rhythm, revealed by thecharacters of breath and so on various aspects, the research point ofview character and the interactive relationship between landscapepainting. And summing up the point of view of landscape paintingforms of identity and characteristics of the characters, especially the different characteristics of the characters because of the culturalconnotation has made the detailed analysis. Finally, again will thesecontain different cultural connotations of characters and thecombination of picture, looking for its contained in the landscapepainting in the aesthetic connotation, finally illustrate the importanceof landscape painting midpoint landscape characters and thecontemporary enlightenment of ICONS. Enables readers to furtherunderstanding of the status of landscape painting midpoint sceneexist by the characters and significance, and the humanitiesconnotation and the intention to transfer.