The Formation Of Li Qiang's Personal Style And Chekhov's Influence On Him

For a long time people always put the art of script which is provided for film or TV play as the dependency of film and television, lacking of its own independent value. In fact, because film or television can be communicated faster and more directly than other literature, it has been an important literary carrier. Script is not only a part of film or television's art but also a significant literary genre. Today vision media has been more and more important, so film and television literature which can express human being's spirits and feelings as well as traditional literature should also be included into research field of literature.Personal style is the foremost literary characteristics of Li Qiang's works. So what is his personal style and how it is formed is my research focus. This first chapter's emphasis is about Li Qiang's creative experience and the exotic impact he subjected to. Li Qiang's personal style is closely related with Russian Chekhov, so in the second and third chapters I analyze how Chekhov influence Li Qiang from two ways, the concept and approach of literature. Although Li Qiang has formed his personal style through studying from others, but this study doesn't equal to mechanical imitation. Li Qiang just chooses some parts which are consistent with his aesthetic taste to integrate into his own experiences and feelings, so he is different from Chekhov in personal style obviously. Therefore, in the final chapter I research Li Qiang's personal style through the exchange and integration of Chinese and foreign cultural and artistic ideas. In a word, by virtue of this special person style, Li Qiang has realized his ideal of literature successfully, and opened up another new area for literature workers.