| The novels of Anti-Japanese War appeared in the literature when the Anti-Japanese War broke out, and it reflects a different outlook in the different times and regions. This passage mainly discusses that the novels how to describe the fact of Anti-Japanese War in the 1950s as a way of story, and further discusses the stories' contradictions in the external narrative power and the meaning in the test.The paper mainly discusses the stories of Anti-Japanese War heroes, landowners and traitors, human and "ghosts". Among them, the stories of Anti-Japanese War heroes discuss the author how to show the story of Anti-Japanese War heroes who battle in hard environment to the readers. In those stories, the authors try to tell us that the legendary stories are not like the traditional novels which hero kill the villain totally depends on one person. The main driving force of its narrative is that the dramatis personae are the soldiers and they can get advantages from both sides under the leadership of the Communist Party, and also they are trained by the Communist Party. But within the text, the reader mainly pay attention to the magic description of the Anti-War hero stories, and it results the marginalization of the author's meaning and makes the aesthetic overwhelmed the original narrative motility.The stories of landowners and traitors describe those negative roles who bring various obstacles and losses to the Anti-War. In the stories, the author wants to tell us that the landowners and traitors are our enemies and they occupy the land, so we need to beat down them, which also fit the prevailing land policy. However, the most readers' response of this period is to deprive the owner's land and property, and make it to be own. So we can see that the majority of farmers' goal is to occupy the land and property, but it is a contradiction to the author's thought that landowner is our enemy because they own the land.The stories of "human" and "ghosts" discuss the Chinese cultural psychology from the eyes of Ah Q's "imitated foreigners" to 1950's "Japan Guizi". The authors describe the cruel Japanese and the transformation of "ghosts" to human and again to "ghosts" with high national optimism. The writers try to show that the war of resistance against foreign aggression is a great holy war, and we can defeat the "ghosts" or even make the "ghosts" to be the force which defends the aggression under the leadership of the Communist Party. But within the text, we can see that the Japanese who we resist is very stupid, so the Anti-War becomes a comical drama to some extent, and the Japanese becomes the "Harlequin" in the novels. As a result, it deviation from the intent of the authors' writing, and itself is a contradiction that the transformation of "ghost" to human and again to "ghost". |