| China not only has good reputation of"ancient civilized country", but also knows as"the kingdom of dress"; even the origin of China's national name has origin with the culture of the clothing and adornment. The rise of the media culture and consumption culture of the mass has not merely put up an intercommunion platform for the mass, also erected the bridge of the communication for the transmission of the culture and civilization.The film clothing and adornment aesthetics may be one of the most typical behaviors under this culture background. Because on one hand the film clothing and adornment is under the jurisdiction of the film arts, and has the characteristics of film art; On the other hand film clothing and adornment through the circulation of audience aesthetic link, after the re-creation and"the aestheticzation of everyday life", is connected with the culture of the clothing and adornment each other, and they influence each other and promote mutually.It not only makes the art of film developed, but the more important thing is that makes the audience perfect and improve in the"surmounting oneself"constantly, which concentrate everybody intelligent crystallization in order to push forward the advance of society and civilized development on this basis to add luster.This text divides for four parts mainly: The question of"the aestheticzation of everyday life"is hackled with a large amount of sections and chapters in the first part. Because the film clothing and adornment involves two aspects of art and life, and the theory of"the aestheticzation of everyday life"just involves the same of two aspects too. So carrying on the systemic and comprehensive analysis to"the aestheticzation of everyday life", has not merely established the philosophy research frame of practice ontology of the proposition of"the aestheticzation of everyday life", but also offered reasonable theory resource and guide for studying film clothing and adornment aesthetic activity.Second part is a focal point of this text and carries on concrete analysis around the aesthetic activity of the contemporary film clothing and adornment. The course of the film clothing and adornment aesthetic transmutation since 1949 is induced and summarized at first. The development of the film clothing and adornment aesthetics is compartmentalized four phases which is new China foundation, decade the Culture Revolution great calamity, reform and opening-up transformation period and the new period of high-speed development. And it is found that clothing and adornment culture and four stages are homologous through study. Secondly, on the basis of practice, this text has begun to summarize the aesthetic experience of the film audience, and drawn the conclusion which the audiences recreated to works, perfected and improved themselves, and constructed"the aestheticzation of everyday life"to society.It is necessary to appear some problems while developing. So in the third part, this text has searched the alienation phenomenon showing in the aesthetic activity of the film clothing and adornment at first. Then it has found the problem cruxes through comparing and inducing it that lie in the deviation of"sex"cognition in the"youth aesthetics". The issue of clothing and adornment will involve body and"sex", and connect them even more close, therefore this text has taken the alienation phenomenon of the film clothing and adornment into consideration and review with the body viewpoint next, in the hope of pursuing the origin that the problem happens——The regulation of"mind and human nature"(Xin Xing) is insufficient to the"tension"in the pattern of"the Dao of heaven-mind and human nature-shape body".Pinpointing the problems will solve the problem soon; finding the origin of alienation phenomenon must cure radically it. This text has analyzed to find that"dialogue"theory has offered the effectual solution to resolve this problem for us, and done a great deal of good when we look forward to unscramble the future film clothing and adornment aesthetics. |
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