The Narrative Skill And Cultural Connotation Of The Family Trilogy

"The Family Trilogy", the movie which can not be overlooked in Chinese movie, is one of the classics in Anglee's movies.At present, the numerous scholars have been craving for its cultural singnificane, But the painstaking and thorough analysis about the movie were deficient, especially in deficiency of powerful support by narrative study for the deep cultural explanation of"The family trilogy". This thesis mainly analyzes the Family trilogy's real essence and essential connotation from the structure of space and time, using the movie narrative theory words.The thesis consists of five parts. In introduction, it gives whole summary to the Anglee's movies .especially in respect of present research situation and tentative plan of the thesis. The main body of the thesis can also be approximately devided into following three parts: in the first part, the meaningful narrative time is analyzed, which expound form the length of time and the frequency of time. Particularly We can read the cultural subject which hides behind the narrative of the movie from the arrangement of the length of time and the frequency of time.In the second part,the ingenious narritive space are analyzed, which expound the construct from the picture composition inside and the sound outside. In the third part, the interweaved and contrast narrative structure of the movie are analyzed.The thesis will explain form the two aspects of story plot and cultural idea constrast, Which studied some contents such as the construct of the narrative subject and the compared tension.of the movie's structure. In conclusive part ,conclusion can be draw under the basis analysis to the"The Family Trilogy",which reach the transcultural narrative subject of Anglee's movies.