The South Bureau Of The Central Committee Of Chinese Communist Party's Tactics Of Literary And Art

The South Bureau of the Central Committee of Chinese Communist Party, founded on 16th, 1939, is representative organ accredited to the Central Committee of CPC in heart ruling area of National Party (Chongqing) during war time. It had jurisdiction of the Party organiztions in such provinces as Sichuan, Yunan, Guizhou, Hunan, Hubei, Guangdong, Guangxi, Jiangxi, Zhejing, Shanghai and Hongkong, Maco etc and the whole soutern part reuled by National Party as well as some enemy-occupied area. The South Bureau played a due role in the development and winning the approval of the intellectuals. It's tactics of literary and art is to appeal for the country and the nation's prosperity. Comparing social system with the economic development, it considers the former essential. The realization of system's advance characteristics can spontaneously bring about the nation's rejuvenation and then prosperity.During war time, the distinct orientation of national revival was everyone's realistic choice before crisis. The basic point of nationalism is to strengthen nation's self-confidence and renewal of the culture so as to fight against the Japanese aggression and rescue the nation from peril. In order to make Chinese nationalism attractive to the public, and to arouse the organization force for the democratic revolution, CPC issued Ten Principles for Anti-Japan & Protecting China as early as in 1937 to unite the masses, a potential political power. They were considered as the realistic leader of the national revolution or the democratic revolution. The South Bureau represented as leaders for the Central Committee and National Party, on the premise of the latter leading, based on The Charter for Anti-war and Nation's Construction issued in 1938, characteristic of nation's reunification, among which the literary and art is one of the key issues for seizing.Because of the subtle equilibrium of the political situation in the rear, the National Party's dictatorial attempt in ideology didn't take effect. In this way, the solution to all the controversies in literary and art is too seek common ground while researching differences rather than take effective measures to unify conceptions and suppress dissident ideas. Basically speaking, intellectuals were critical to the society. And naturally, this is not only towards the system, but also the society. In terms of human society, it can never be completely healthy. The civilization process of human society don't change its image of patients radically. All the rules would like the coexistingintellectuals to be the eulogists for the society. When some intellectuals are reluctant to be, they are easily considered as simply bloody-minded, which provides opportunities of activity to the South Bureau. Although, the common passion for against Japan from the literary and art in the nation-ruled area suppressed the artistic individualities, as to the literary and art here, not only theories but also practice, for varieties of political parties and literal schools construct and further respective literal conception system, came into a world of diversities under rebuttal, dispute and critism about literal conception. The new social sense replaces the simple national enthusiasm, thus the literary and art of anti-war in chongqing does away with the sealed conception of national essence and gained open-mined nationalized quality.