Retrial Three-family Village

Since the 1990s, with the prosperous development of rewriting literary history, scholars have made new interpretation about literary works and literary phenomena which were written since the foundation of china, and they want to discover the new literary connotation. However, beause of the multiplicity and particularity of their identity, the reinterpretation about the "Three-family village"from a literary perspective is inadequate. How could Deng Tuo, Wu Han, Liao Mosha go into the same "village" in the 1950s-1960s, and how can we reinterpret their works? as an important literary phenomenon and literary groups in Chinese literary history,"Three-family village" should be given more concern.In this essay, the author will not only study and investigate them in the background of the 1950s-1970s, but also analyze their spiritual core and creation source which can date back to their creation written before the foundation of china. Analyzing "Three-family village "as a literary event, this essay will explore the existence of "Three-family village "from the evolution of identity and their literature which is in the 1950s and 1960s. As Chinese intellectuals who are closed to political, the author try to reduce their special creation value in the period.This essay is divided into two parts. In the first part, the author describes the formation reason of "Three-family village "from the identity evolution of Deng Tuo, Wu Han and Liao Mosha. Before 1949, Deng Tuo, Wu Han and Liao Mosha appeared in different historical stage all as two identities:"warrior" and "writers". Wu Han came from the den to the revolution. At the same time, Deng Tuo, Liao Mosha seek a balance between politics and literature as a "leftist" intellectuals. After 1949, they all appeared in the foreground as "political figure" to deal with political affairs. During the year that all served the political service, the highlights and blanking of the writers'identity had a great relationship with the political and social environment. With the change of the policy and times, the "intellectual" character which is hidden has gradually appeared. When the country was facing to difficulties, they came forward,gave critical elements and undertook what they could initiatively.pushed by external environment, and coupled with the common spiritual core, Deng Tuo, Wu Han, Liao Mosha eventually formed a "Three-family village" In the Second part, the essay will mainly return to the art world of the "Three-family village". Critical spirit is the important literary core of "Three-family village". As we all know, their critique is not a rain-style fresh wind, but integrated in the rational thinking of their reflections on the politics, reference on historical and Chinese traditional culture. It's more rational. Specific to literary texts, it is shown in their essays, poetry and the historical dramas.they returned to identity of writers for the awakening of sense of style. They expressed their feelings by essays and ports, and defended the Tragic gesture in common where Chinese Writers sticked to" intellectual writing,"...