The Representation And Comparison Of Visions In The Culture Of "Eight Sights"

As the important category of Chinese traditional sight notion"Eight Sights" is often recorded in the chorography, and it's the representation of dense local colour and individual cultural characteristic. Surveying the form process of representative "Eight Sights", is a sight system of correspondingly systemic and structural stabilization by evolving and establishing over several centuries. Along with the historical development and vicissitude, "Eight Sights" Culture becomes Chinese treasure that contains in the traditional civilization. This paper primarily discusses the influence of "Eight Sights"culture on the sight, and indicates that it's meaningless when "Eight Sights"abandons culture.The content of "Eight Sights"'describes natural and human cultural sights. At the same time its selective conclusion and re-creation have obviously man-made tache and chanciness, that's the phenomenon of sentimental cultural sight. And there are too numerous themes on 'Eight Sights' to mention one by one. This paper tries to classify and clear up the skeleton, and provides a classification for the continuative study.In addition, this paper chooses typical models from two different 'Eight Sights' Cultures, 'Yanjing Eight Sights' and 'Xihu Ten Sights', and detailed analyses, compares and discusses the historical culture origin from sight aspect, attempts to present models to study each "Eight Sights". That making people understand the value of this unique Chinese sight culture phenomenon, and blaze a way in evolution of characteristic sight.