A Study Of Artistic Construction And Social Identity In Linpan In Chengdu Plain

Rural cultural construction is not only a key indicator of socialist rural revitalization,but also an important guarantee for comprehensively promoting rural economic,political,cultural,social,and party building.After years of industrial development and adjustment of modern agriculture,changes in the flow of communities,and the popularization of information technology in communication media,a transformation has taken place or is taking place in the social structure,ecological field,cultural customs,and landscape of rural areas.Based on my years of experience in artistic practice and observation in Linpan in Chengdu Plain,the author focuses on the types of artistic creation in Linpan in Chengdu Plain in recent years,examines the methods and achievements of artistic creation in rural areas from the perspective of spatial production,and interprets the achievement of villagers’ identity after the artistic creation of West Sichuan Forest from the perspective of social identity.As a traditional rural settlement in the suburbs of Chengdu,Linpan in Chengdu Plain is not only an important carrier of "Tianfu Culture",but also an important representative of the transformation and upgrading of rural industries under the rural revitalization policy in the new era.According to the theoretical framework of "space identity",from the perspective of spatial production,through the transformation and upgrading of modern agricultural industries and artistic creation,many areas of Linpan in Chengdu Plain are no longer traditional agricultural production spaces,but have formed a complex space where the first,second,and third industries blend.Art provides targeted productivity in different types of spaces,resulting in various forms of production relations and consumption patterns.The formation of a new production space has naturally promoted the construction of a new social space,and the emergence of a new livelihood plan has also led to a new identity and social order for villagers.Through investigation and research on the types of identity transformation,the transition process of concepts,and the degree of integration of new and old villagers among the art livelihood plan practitioners in Linpan in Chengdu Plain,The "industry related" identity formed by relying on industry has gradually replaced the "geographical" and "blood related" identity of traditional villages.From the perspective of the changes in Linpan community space and the effects of community art creation,whether it is the daily life of rural communities or the transformation and formation of rural social groups,there is a transition from identity loss and loss of sense of belonging to a new cultural identity and community remodeling stage,gradually possessing the foundation for building a "romantic" community.Therefore,from an artistic perspective,in the face of different types of rural production and living spaces,targeted organic combination strategies should be adopted,paying attention to synchronous thinking from multiple aspects such as spatial history,urban and rural functions,regional culture,social identity,ecological protection,sustainable development,and institutional construction,sorting out rural context,and fully exploiting and utilizing rural traditional cultural resources,Carefully and gently explore the consensus symbiosis between internal and external factors in rural areas in an artistic manner,activate the reproduction potential of rural culture and the creative vitality of contemporary villages,build an aesthetic framework that relies on local culture,thereby updating rural cultural values and production methods,ultimately promoting the generation of new production and living spaces in rural areas with unique regional culture and industrial types,and integrating new and old villagers to form a community of "karma" and "affection",Building a people-oriented,harmonious and co governing rural public society in the new era.