Archaeological Research On Musical Instruments Of The Han Dynasty

Kingdom of han dynasty is the development of the empire,from the related political to geopolitical era,based on the archaeological excavations of the han dynasty tombs,Han Ling buried tomb of han dynasty unearthed and Cong Zang pit instrument music material culture related to data as the research object,in the han dynasty political,economic and ideological change of era background,the characteristics of the evolution of han dynasty instruments and make a comprehensive discussion,into three parts of introduction,text and epilogue.The introduction defines the relevant concepts,research scope,research methods and research significance according to the current research status.The text,combined with archaeology,historical documents and musicology and other research methods,combed and discussed the unearthed Musical Instruments in Han tombs from the aspects of musical instrument burial grade,classification,combination,excavated location,regional characteristics and musical suspension.The funerary instruments in Han Tombs show distinct gradation.There are obvious differences in the types,combinations and quantities of instruments enjoyed by different grades.Due to the influence of economic strength,political status and other factors,burial instruments in the same grade also have obvious differences.The Musical Instruments of the Han Dynasty inherited the "eight tones" of the Zhou Dynasty,and the Musical Instruments of the Han and Han dynasties differed significantly in their composition.In the Western Han Dynasty,Musical Instruments made of stone and stone,represented by chime and chime,accounted for a large proportion.In the eastern Han dynasty,Musical Instruments of chime and stone declined rapidly.According to the types,shapes,combinations,positions of unearthed Musical Instruments and the characteristics of the evolution of The Times,the Musical Instruments of the Han Dynasty got rid of the shackles of the ritual system of the heavy instruments of ritual music of the pre-Qin Dynasty.While emphasizing the hierarchy,the development of Musical Instruments showed the trend of secular enjoyment and daily life.The regional distribution of Musical Instruments in the Han Dynasty shows the characteristics of political center,kingdom and border region,which is exactly the archeological reflection of the inheritance of "rites and music culture" of the Zhou System.Meanwhile,with the development of society and the influence of political factors,the connotation of the great tradition is also constantly developing and changing.By writing unearthed from the level of suspension features,shape features and rank analysis,haojing has had a profound impact on the music culture of the han system,suspension system from weeks enjoyed writing,high-grade tomb constraints more strongly by ritual,music hanging from the early han han system is presented in a hierarchical and strong unity,emperor wudi,with the strengthening of the autocratic monarchy and the decline of the forces of the kingdom,the western han dynasty in the late han the connotation changes of suspension system,represented by Zhong Qing ritual instruments become charming unique Musical Instruments,sovereign authority,the ritual of the supremacy of imperial power concept more reveal and guarded.Musical Instruments,as an important part of the funeral system in the Han Dynasty,are characterized by inheriting the rites of the Zhou Dynasty,inheriting the System of the Qin Dynasty and melting the customs of The Chu Dynasty.On the basis of fully absorbing various cultural factors,they have integrated and reformed various Musical Instruments and musical cultures in the central Plains since the Pre-Qin Dynasty.Han dynasty Musical Instruments pay more attention to music for people to enjoy,ware for people to serve.The opening up of the Silk Road opened up the closed pattern between China and foreign countries,and promoted the communication and interaction among all parties.Artistic communication was more about the export and influence of Chinese Musical Instruments and music culture.The Musical Instruments of the Han Dynasty were still dominated by the traditional "eight tones",while foreign instruments did not become the mainstream of Musical Instruments of the Han Dynasty.The conclusion is an overview of the analysis of each chapter,the Han dynasty Musical Instruments have a significant imbalance characteristics,specific performance of the era of imbalance,regional imbalance and grade imbalance.The regional and national characteristics of Musical Instruments in the Han Dynasty gradually weakened,showing a high degree of unity under the diversified characteristics.