HU QIN Musical Instrument And MA TOU QIN

There is the nearly relationship between the development of the kinds of HU QINmusical instrument and Mongolia musical instrument, the important embranchment of thekinds of HU QIN musical instrument, for example, MA TOU musical instrument, SI HUmusical instrument, have the profound culture details of Mongolia people, are the mostrepresentative traditional musical instruments of Mongolia. The area of the minority ofNorth border land of China, DongYi, XiRong, BeiDi and so on, is the refulgent stage thatthe North minority, for example, Hun, DongHu, XianBei and so on, has leave over. By thefar-flung years, all of them create the archaic music culture of grass feature and the bowinstrument of single-eyed feature. For example, XI QIN musical instrument——JI QINmusical instrument, HU QIN musical instrument, HU LEI musical instrument, YE KE LEmusical instrument, QI QI LE musical instrument, XI NA GAN HU WU RI musicalinstrument and so on. These musical instruments have the good comparability with thesome of the Mongolia musical instruments, have the far and original relation with thecurrent MA TOU musical instrument. So penman adopt literature method and investigationmethod, look the inherit and flux of the HU QIN and MA TOU musical instruments asresearch objection, compete and discuss their produce age and variance.This text is composed with three parts, the exordium, four chapters and the epilogue.At the first, I refer to the importance and sake of selecting this title in the exordium,secondly introduce the research fruit and method of former thinks. At the first chapter,discussing the culture background of Mongolia HU QIN musical instrument and theirhistory evolution. At the second and three chapter, introducing some kinds of early HUQIN musical instruments and the HU WU RI musical instruments kinds. At last chapter,talking about LA ER and MA TOU OIN musical instrument. The important part is discussing the all sides of the MA TOU QIN musical instrument, for example, the facturetechnics, standard size and some performance method and tune up method and so on. Inthe epilogue, I analyze the development status of the MA TOU QIN musical instrumentnowadays.