Research On Shandong Poetry Writers In Qing Dynasty

The purpose of this paper is to study the poetry writers in Shandong province in the Qing Dynasty and make a whole observation on the poetry and prose creation in Shandong province in the Qing Dynasty.This paper will study the characteristics of Shandong poetry and prose creation in the Qing Dynasty,sort out the distinctive writers and their works in Shandong in the Qing Dynasty,study the representative literary families in different regions and their creations,and explore the development and change of Shandong poetry thought in the Qing Dynasty and the causes behind it.The first section of the first chapter mainly analyzes the generation mechanism of Shandong poetry and prose creation in the Qing Dynasty,including the background factors such as natural geographical environment,economy,imperial examination education,unique regional culture and so on.The second section mainly summarizes the development and evolution of Shandong's poetics and literary theories in the Qing Dynasty.The part of poetics mainly shows the criticism,inheritance and re-development of the previous poetics by the writers in the early Qing Dynasty,as well as the evolution trend of Shandong's poetics in the longitudinal timeline of the Qing Dynasty.Then,the second chapter to the sixth chapter,will take the region as the sub-chapter standard,respectively write Jinan region,Qingzhou region,Yanzhou region,Jiaodong region and other regions these five parts.The ranking criteria are the traditional literature center,the emerging literature center,and the other regions besides the traditional literature and the emerging literature center.Among them,Jinan,Qingzhou and Yanzhou,as the traditional literature centers of Shandong Province,have developed their literary creation since ancient times,while Dengzhou Prefecture and Laizhou Prefecture,which are included in Jiaodong Region,have emerged as two emerging literature centers since the end of Ming Dynasty.In addition to the traditional literature center and the emerging literature center,the paper also sets up the sixth chapter to study the writers and their works in other regions except the traditional literature center and the emerging literature center,so as to achieve the purpose of a more comprehensive study of the writers,works and representative literature families in Shandong in Qing Dynasty.The second chapter is mainly about Jinan.The first and second sections of this chapter are about Wang Shizhen and Pu Songling respectively.Both of them were great literary masters with national influence in the early Qing Dynasty,who made different but extreme literary and artistic explorations in their respective fields.The third section describes Tian Wen,who was also the mastermind of Shan Zuo's poetry creation in the early Qing Dynasty.The fourth section takes other representative writers of Jinan in the early Qing Dynasty as the research object and studies their lives and literary creations.The fifth section focuses on the representative literary families in Jinan in the Qing Dynasty,focusing on the writers and their works within the families.The third chapter mainly writes Qingzhou area.In the first section of this chapter,the object of study is Zhao Zhixin,who has a theoretical confrontation with Wang Shizhen and advocates the tradition of realism.The object of the second section is two brothers,Cao Zhenji and Cao Shenji.Cao Zhenji was included in Zhao Zhixin's Tan Long Lu,and he was also one of the "Ten Sons in Poem" in the early Qing Dynasty.Both of the two brothers were prominent literary figures in the early Qing Dynasty.The third section takes Ding Yaokang as the research object to study his poetry creation.The fourth section takes other writers with characteristics and local influence in Qingzhou area as the research object.The fifth section takes the representative literary families in Qingzhou area as the research object to show the writers and creations of the literary families in Qingzhou area in the Qing Dynasty.The fourth chapter mainly writes Yanzhou area.The first section is about Qufu region and studies the four most representative writers in Qufu region in the Qing Dynasty,namely Yan Guangmin,Kong Shangren,Yan Guangyou and Gui Fu.The second section takes Huang Entong in Ningyang area as the research object.The third section focuses on the Yanzhou literary families in the Qing Dynasty,which are represented by the Kongs of Qufu and Yan of Qufu.These two literary families produced a large number of writers in the Qing Dynasty and created a lot of quite remarkable literary works.Chapter five focuses on Jiaodong region.This area mainly includes Laizhou Prefecture and Dengzhou Prefecture in Shandong Province.After accumulation in the early and middle Ming Dynasty,these two regions gradually became an influential literary center in Shandong Province in the late Ming Dynasty.In the first section of this chapter,Song Wan,who was called "Shi in the South and the Northern Song" in the early Qing Dynasty,is taken as the research object.The second section takes the Gaomi school of poetry as the research object to show the different opinions between the Gaomi school of poetry rising in the Qianlong period and its predecessors,as well as the causes behind the change of the poetic opinions in this period.The third section takes the representative literary families in Jiaodong area as the research object to study the writers and their creations of influential literary families in Jiaodong area in the Qing Dynasty.Chapter six write in other parts of the Lord,in the center of the traditional literature and new literature center,shandong and Wu Dingfu,taian mansion,interpretation of state,cao states and other regions,these areas are thorough fares of unconventional dayi,nor a political center,so the economic development and cultural education development are backward traditional and emerging literature center area,The representative figures in these areas were mostly born in the middle of Qing Dynasty and later,which was the result of the accumulation of economic and cultural factors for a long time.Wu Chongxi,selected in the first section of this chapter,was a relatively influential writer born in Daoguang period of Qing Dynasty.In addition to the more representative writers,the second section of this chapter focuses on the family,selects three representative literary families for research,and tries to look into the literary creation of these regions in the Qing Dynasty through the works of these several representative literary families.