| This dissertation explores the cultural significance and physical perception of heat evident in a corpus of Twitter messages collected for six cities across the US over a seven-week period following historic heat events in the summer of 2012. Through a mixed-methods analysis of what weather means and how it feels, emergent conceptual tools are put forth that seek to envisage weather and society as co-productive, and sometimes indistinguishable, elements in a broader ecological process of world formation. Following a review of concepts from literature on everyday interactions with weather, the dissertation proceeds with two analytical chapters. The first analysis is textual and focuses on 'weather typing' as a discursive practice that works to produce abstract spaces with, of, and for weather through the conceptual distancing of the environment from the body. These practices are considered constitutive of situated perspectives of weather, many of which show a latent influence of heat, be it in the form of shared bodily energy or as an ambient environmental factor. The second analysis quantitatively explores emotional and physiological sensitivities to heat through transforming textual indicators into metrics that can be meaningfully tracked over time alongside biometeorological constructs, particularly with apparent temperature. Each analysis is intended to open the study of weather to multiple lines of inquiry across different scales while remaining rooted in empirical observation. The conclusion of the dissertation is left open as a discussion on further uses of these concepts and analytical strategies in hopes that they may find uses in different contexts, with different data sources, and through a variety of theoretical lenses. |
