Inside And Outside The Painting

In the Northern Song Dynasty,the popularity of literati painting,painting or singing with painting as the theme made the creation of painting poems become popular in the middle and late Northern Song Dynasty,which promoted the consciousness of deep integration of poetry and painting art,and left many excellent poems.SuShi was one of the literati who was keen on singing and painting at that time,and he was a very important one.More importantly,because of Su Shi's genius and rich artistic practice experience in literature and painting creation,as well as his influence and position in the literary world at that time,his literary thought and painting concept to a certain extent represented and led the aesthetic and cultural trend and interest of that time,including calligraphy and painting art.In the introduction,the author collected and identified 160 poems on paintings by Sushi through careful and careful collection and screening from the existing poetry and literature collection,Song people's collection,general collection and Song poetry anthology.Of course,this may not be the whole of Su Shi's painting poems.For example,is there any part of his painting poems that can't be seen again because of the missing paintings?Are there any other carriers that we haven't noticed yet? All of these can be further studied in philology.However,only from what we have collected at present,it is enough to prove the fruitful achievements of Su Shi's painting poems.On the basis of a comprehensive understanding of Su Shi's literature of painting poems,this paper makes a comprehensive and systematic study of the reasons for the prosperity of painting poems in the Northern Song Dynasty,Su Shi's philosophy of painting poems,the connotation and performance skills of traditional painting themes contained in painting poems,and Su Shi's aesthetic thought of painting poems.The creation of painting poems integrates many elements inside and outside the painting,inside and outside the poem.Therefore,in the first chapter,the author analyzes the background of Su Shi's painting poetry creation in the Northern Song Dynasty,especially in the Northern Song Dynasty,by expounding the characteristics of the times,the social and ideological and cultural background,the historical origin and development of painting literature,and the macro view of Su Shi's poetry and painting art.The purpose of doing so is to help to have a clearer understanding of the issues discussed in the later research and analysis.At the same time,the author tries to explore the reasons for the prosperity of the poems with paintings in the Song Dynasty from the external objective conditions of the combination of the poems with paintings,the internal integration of thepoems and paintings,and the mentality of the creators.First of all,the political situation during the Tang and Song Dynasties brought about the change of literati types and literary creation orientation.The rulers of the Song Dynasty established the social and political structure of that time by "promoting culture and education and restraining military affairs",which created a good political and cultural environment for the prosperity and development of the culture of the Song Dynasty,and created a group of new-type cultural people who were officials,scholars and writers.Secondly,the historical evolution of Poems Inscribed on paintings before the Song Dynasty and the literary and artistic atmosphere of the exchange of poems and paintings in the Song Dynasty are the inevitable prerequisite for Poems Inscribed on paintings to enter the picture,which embodies the common aesthetic concepts and artistic fashion.Thirdly,in the Five Dynasties,the Western Shu and the Southern Tang Dynasty began to set up painting academies.In the early years of the Northern Song Dynasty,the Imperial Academy of painting and calligraphy was also established in the palace.Therefore,the literati in the Song Dynasty could become the official ladder by integrating painting and calligraphy,and realize their concern for fame and career.They could retreat and spread poems and paintings,so as to meet their friends and meet their emotional release.At the same time,the large-scale painting theme chanting activities based on painting collection and circulation have formed the deep cultural field and circulation network of painting poems,thus promoting the climax of painting poems creation.Su Shi's view of literature and art is based on his philosophy.Without a deep understanding of Su Shi's philosophy,it is difficult for us to have an in-depth understanding of his view of literature and art in painting poems.In the second chapter,it will systematically analyze and explain the philosophy concepts in Su Shi's painting poems,and on this basis,it will expand to his literary theory and aesthetic thought field.At the same time,it will deeply explain the philosophy concepts and aesthetic thoughts in Su Shi's painting poems from the angle of comparative aesthetics and Comparative Art by referring to the relevant concepts and methods of western modern literary theory and art theory.Su Shi's life experience is rich and tortuous.In terms of ideology,Confucianism,Taoism and Buddhism are compatible and integrated,and he presents a complex and staggered state.With the change of the situation,he has different choices for Confucianism,Taoism and Buddhism.Therefore,although the dual mentality and emotions of entering the world and dealing with the world,enterprising and detached are often mixed in his mind,he can also meet the fortune and find the heart quickly Rational equilibrium point.Su Shi integrated Confucianism,Taoism and Buddhism and embodied them in his literary and aesthetic concepts,and also reflected in his painting poems.Sushi's thought is not only the product of his time,but also his personal experience and accomplishment.It is also related to his inheritance ofpredecessors' ideological heritage.It is also obviously influenced by Shuxue and his father Su Xun.This chapter will analyze the problems and the influence on Su Shi's painting poems.In the third chapter of this paper,the author chooses Su Shi's representative painting poetry text,and combined with specific painting works,deeply explores the spiritual world that Su Shi's painting poetry blends in the visible space of the picture and the poet's invisible mind.At the same time,on the basis of comparing with Tang Dynasty's painting poems,the paper summarizes the artistic expression skills and styles of Su Shi's painting poems,including how to create the mood of blending feelings and scenes with scenery or with emotion in Su Shi's painting poems,how to experience the painting scene inside the picture,and how to realize the state of integration of painting inside and painting outside in his painting poems.