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Research On The Image Of The Ming And Qing Dynasties Painting Poems

Posted on:2018-06-12Degree:MasterType:Thesis
Country:ChinaCandidate:M Y FanFull Text:PDF
GTID:2415330578982187Subject:Art theory
Abstract/Summary:PDF Full Text Request
Flower and bird painting is one of the three major Chinese painting,has been developed in the late Tang Dynasty,to the Northern Song Dynasty of the Five Dynasties has been significantly improved,and this period is just fine brushwork flower and bird painting has been greatly developed.To the Southern Song Dynasty,there will be a new ink painting.To the Ming Dynasty,the development of ink painting freehand brushwork in the great development period.The flower and bird painting poems in Ming and Qing Dynasties is gradually mature,can explain the Qing Dynasty is Chinese painting development period,is the flower and bird painting poems boom,the painter,poet and his works are previously rare.This paper is based on the "image" as the lead,in the Ming and Qing Dynasties painting poems and the "image",analyzes their relation and uniqueness.In the classification of theme and image painting and flower and bird painting poetry images are roughly the same,this paper will put together the analysis;and the image characteristics of flower and bird painting and flower and bird painting poems are different,there are great differences in art expression,need to separate specific discourse analysis.The Ming and Qing Dynasties painting and flower and bird painting poetry between images is very close,is a concrete manifestation of the traditional relationship between poetry and painting,which exists between the unified and complementary.The flower and bird painting poems in this stage,a Chinese painting artistic characteristics,deep literati's favorite,also greatly influenced the aesthetic culture of later generations.This paper summarizes the research status of the Ming and Qing Dynasties painting poetry,painting and poems to standpoint from the perspective of images,analyzes the image features and the exploration of the relationship between them.The second chapter is a summary of the Qing(including Qing)before the development of flower and bird painting and flower and bird painting poems in the Ming and Qing Dynasties,two generations of flower and bird painting and flower and bird painting poetry development focus on content.The third chapter from the Ming and QingDynasties painting and flower and bird painting poem of two lines,there are,both wrote themes and images to appear flower and bird painting and poems in the analysis of image features and separate the two existing.The fourth chapter mainly studies the relationship between the Ming and Qing Dynasties painting and flower and bird painting poetry between.The three chapter is the focus,starting from the image field,through a comprehensive study of the Ming and Qing Dynasties painting and flower and bird painting poetry imagery types provide inspiration to the future development of flower and bird painting and flower and bird painting poems.
Keywords/Search Tags:flower and bird painting, poems, imagery
PDF Full Text Request
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