Song Ci Poetry And Literati’s Life Practice

The Song Ci as a text is not only an accessory of music,but also an independent literary form produced in historical society and cultural customs.Word creation mainly from scholars,its growing and life experience is diversified and multi-layered.Its collective customs are composed of politics,cultural life,entertainment life,spiritual relief and so on,which consists of distinctive emotional orientation,cultural traits and aesthetic trend of this group.Of their writing,a large number of chapters gave projection and reappearing of literati habits that time.From this approach of presenting spiritual world and life forms is vivid as if true to life,rich with precious research value.Therefore,this paper takes "song Ci poetry and literati’s life practice"as the research object,and tries to make a systematic study of it from the compound Angle of literary chemistry and literature reference.The first chapter mainly discusses the relationship between the literati’s life practice and the song Ci poetry creation from the perspective of political culture.The first section discusses the relationship between-imperial examination and song Ci.The new situation of the imperial examination has greatly stimulated the enthusiasm of the scholars to participate in the imperial examination,and also directly contributed to the new talent pattern of scholars in the Ci.On the one hand,scholars were willing to express unappreciated emotion in some related activities with Song Ci:hardship of study and unremitting,relive stress before passing an imperial examination and rejoice after it,worship to Number One Scholar,the belief of putting more focus on study than on wealth,new political ideas from the new intellectuals,marriage attitude,etc.On the other hand,advocating Confucianism,with its creative practice,guided the development direction of the vogue luxuriousness:under the influence of the examination hall style,Confucian classics in exam content occupied the dominant,Confucian scholar culture greatly influenced the Ci word core,morphology and the word wind,more poetry artistic techniques such as gossip,argument,shift arrangement for word and wider emotional world,life and other political ethics come into the mind of the poet,these are led off in the literature of Ci,gradually tend to be solemn from common charming.The second section discusses the influence of rites and music in Song Ci.The state of Zhao and Song dynasty wanted to rule the world by virtue of rites and music.In such a political and cultural ecology,Confucian rites and music had become the ideological and cultural guarantee for the rulers of the Zhao and Song dynasties to implement centralized politics.Properly,most of the rites and music activities recorded in the history books were the upper political behaviors of the royal family of Zhao and Song dynasties.But in activity process,the government,as the leading factor,the pattern of the literati,as the main body,made the scholars feel distinctly imperial dignity and renaissance music determination.Especially for high-level poets,made then feel that dynasty produced strong identity and centripetal force.But from another perspective,this kind of politically motivated community culture activity,to a great extent,not only affected the formation of their cultural character,but also had a direct impact on the meaning of Ci.For example,the hall shape to investigate,record of southern gift,stimulate the process of the ceremony of the description,the ceremony of appreciation your grace,as well as related words had detailed description.It is related that the emphasize on Ya Music from royal court.In particular,during the reign of Emperor Huizong of the Song dynasty,the court encouraged the officials that inside and outside the court to learn about Da-Sheng New Music and compose poems.Inspired by this,new changes had emerged in the form of lyrics and music.The content of Ci also appeared a new orientation that served as social reality and political propaganda.Da-Sheng Music directly affected the style and appearance of the song and its later lyrics and music,and accelerated the process of standardization of the Song Ci and its content.The second chapter focuses on the relationship between the literati’s recreational habits and the song Ci poems.The first section discusses the relationship between scholars’ visiting habits such as sightseeing Tours and inscriptions on cliff and the Song Ci poems.Chinese people gathering of Ci poetry of touring,touring activities of supporting themselves with a stick,which so elegant and free from vulgarity.That showed a rich humanity and integrity of the political ethics.Inscription on cliff also became popular at the time,the word on cliff refined elegant detached the kindness,content rich,deep,full of literati in the depth of emotion.The dripping wet ink showed the literati touring details and purport of the life.All that had become the new cultural and folk landscape.The second section discusses the relationship between the scholars’ intercourse and the song ci poems.Compared with other social classes,the group consciousness of literati is distinct,and the choice of communicators was more rigorous.Their communication stage vividly showed their spiritual style and wisdom in dealing with the world.They paid their respects and blessed their life with flattery,seeking for knowledge,and conveyed their true heart and feelings with words that were good at expressing emotions.Laughing and joking,comic games,the use of the playful mirror to pass time,long songs with crying,sarcasm evil irony,the multi-angle reflection of their inner blocks and the Times of the accumulated evils;Farewell,chant of departure,distinctions with folding willow,with endless love pouring into the Ci,which leaves the reader shaken and moving into tears.The third section discusses the literati home habits and poems of the song dynasty.The garden bedroom where literati and scholars rest was their important field to settle down both physically and mentally.The careful construction of gardens and mansions revealed their quiet and elegant aesthetic interest.Listening to the rain,planting bamboo,planing flowers in the idleness of the elegant learning was also full of leisurely poetry;flower arrangement,folding screen,hanging painting and other bedroom decoration showed the Song people’s unique taste in art.Quiet in the study,the light of the yellow roll,the tireless spirit,desk reading people in the shadow of the present heave in the sight.These scenes,which have gone through thousands of years,are vivid and inseparable from the exquisite records of the Song Ci.The third chapter discusses the relationship between faith practice and the Song Ci poetry.The first section discusses the relationship between Buddhist zen practice and the Song Ci.And drunkenness defamiliarization speech features,illogical expression habit,"Non-dual" indiscriminate and spoil everything dreamy thinking type,and set them free,such as drinking tea,vegetarian,incense and other lines dispositions.Connect to himself,in daily study of the "Buddha nature" the idiomatic way,the goddess of mercy.The belief of fashion was greatly affected infiltration in Confucianism for a long time of scholar-bureaucrat,when they inspired Ci by Zen understanding.And numerous natural flush and drunkenness idioms between pen and ink witha fresh wind to the original is accompanied by wine and pleasure of the word body to bring greater survival and growth space.The second section discusses the relationship between Taoism belief practice and Song Ci poetry.It mainly focuses on the language features of the defamiliarization of Buddhism and Zen,the unique expression habits;"Non-dual" thinking mode without distinction and everything is illusory;the way of realizing the Buddha’s nature through self-consciousness and exploring the Buddha’s nature in daily life;ways to keep in good health;Buddhism and Taoism special character belief,such as avalokitesvara in Buddhism.The quality of the length and length of the word body coincided with the transcendental charming of Taoism,which showed the deep expansion of faith and customs to the expression of the word body.The fourth chapter mainly discusses the relationship between recreational life and Song Ci poetry.The first section discusses the relationship between feast practice and Song Ci poetry.The banquet style under the state policy of chongwen had at least the following aspects to the achievement of the Song Ci:the promotion,encouragement and economic support of the court for banquet entertainment had become the backing of the development of Ci poetry.Premises and the rise of wine culture was chant the sound of the catalyst,provides direct drive for Ci development,countless write pastoral poetry,a gift resulting to the romance.The popularity of Song Ci also promoted the flourishing of feasting and drinking,and the interactive relationship between them was very interested to discuss.In the banquet wine inter-row,word of the two sides exchange emotions became the preferred medium bod.Phenomenon of female entertainer chant was very common,and the seats before the female entertainer’s lovely soft song lyrics also made rich and flowery characteristic of gentle.Table wine,tea,musical instruments and music were also satisfied with the body and mind of the attached remaining requirements.The second section discusses the influence of the appreciation of drama on the Song Ci poetry.In the song dynasty,Kyoto and the local drama art both flourished and flourished.So when they returned to the writing field,then dramatic elements naturally permeate between the lines:drama actor,vivid performances of different extraordinary splendour scene,classic stories,humorous language,rich word material;new dramatic styles,such as acting,singing,reading,doing,fighting,slogans,speech,etc.,all inspire new changes in the layout of words.The spirit of laughing,scolding and combining irony with harmony had opened up the spiritual realm of words.After the wind of watching the play blows over the lexicon,it leaved a new scene for it.The third section discusses the relationship between the garden study and the song ci.The activities of the garden could be traced back to the imperial tour during the Yin and Shang dynasties and the western garden collection during the Jian’an period of the eastern Han dynasty.To song dynasty,owning to the garden and the Royal Academy in song dynasty in political orientation,literati in the Song dynasty pursed the pleasure and comfortable life state,and agreed with the way they preserved one’s health care,so there was an unprecedented prosperity.Both the garden of the first scholar and the daily spring outing of the first scholar are vividly recorded by the Ci form,forming a landscape full of spring in the Ci Garden.The fourth section discusses the relationship between the customs and the Song Ci poems.During the song dynasty,the popularity of tide watching was rooted in the flourishing of political,economic and recreational activities.The bore of Ci poetry writing is the concrete performance of literati bore in the other word,including the month with the tides of symbiosis,tide maker and interactive wonderful scene description.And object,monster,fairy,god story have an unique aesthetic feeling and imposing manner,shows a new word wind.Among them,the description of the Qiantang River tide is the largest.Two song period,the Qiantang River became water transportation trade hub and enjoyed entertainment capital of the country,the Qiantang River frolic in the waves activity was not only a kind of recreation and sports activities,but also a kind of extremely rich geographical,cultural phenomenon with distinctive national features and profound historical origin,the activity and the state of Wu Yue people’s wholesome body and sharp weapon of dead heart,long established the worship of the low dungeon,and the history of the courage to conquer challenges traditional spirit is of great relevance.Therefore,it is no doubt that the introduction of the clique into the lexicon has brought more characteristics of the lexicon.