| In this paper,we study the art of Wrap Manuscripts in ethnic Uzbekistan.Through the analysis of ethnic origin,historical development,the relationship between Wrath Man-paper cut and production,life and religion,artistic expression and aesthetics,as well as the materials,techniques and carriers And other aspects of the evolution of the contents of the study,to demonstrate the Wula Manchu cut and cut the art of living heritage,protection mode and development strategy.Based on the cultural ecology in northeastern China,the dissertation focuses on the three typical Wula Manchu cut paper such as "Wrath Manchu Shekhesi paper-cut and paper-cut","Wulai Manchu folk paper-cut" and "Wula Manchu Chen paper" In addition to highlighting regional characteristics,rescuing cultural resources and disseminating and popularizing Manchu folk culture,the paper analyzes and digs deeply into the sustainable development strategies of "Wula Manchu sheng shek paper art" through the inheritance,protection,utilization and innovation and development,Wula Manchu paper-cut protection and utilization of mining industry development potential,provides a theoretical basis and implementation path.This study is divided into three parts:The first part-the first chapter and the second chapter.From the perspective of historical development,this paper expounds the development of the art of Wrap Man ’s cuticle paper and its relationship with traditional folk culture.It analyzes the basic composition and historical changes of ethnic groups from the perspectives of history,anthropology,archeology,art and folklore,Explores the cultural origins of this special ethnic group in Ula Man.Based on the analysis of the traditional patterns of life and mode of production of the Ula Man,systematically proves the three aspects of life style,production mode and religious etiquette,Cultural Connotation and Spiritual Value of Manchu Cut and Cut Paper Art.The second part-the third chapter and the fourth chapter.Through the investigation and collection of the works and the visit of the successors,this paper analyzes the modeling style,the formal language and the aesthetic meaning of Wula Manchu cut-and-carpentry paper from the perspective of aesthetics and demonstrates the differences between the Wula Manchu cut-cut paper art styles The basic features of other paper-cut forms.Through systematically sorting out the tools,materials,techniques and carriers of Wula Man cut paper,it will play an important role in the strategy of non-heritage protection,live heritage and development.The localization of art,national features and the use of special tools and materials as well as the change and innovation of dependency carriers,in essence,highlight the technical characteristics and the changing artistic expression of the Ura Man cut-cut paper.The third part-the fifth chapter,the sixth chapter and the seventh chapter.Living inheritance is the main way of inheritance,protection and development of Wula Manchu cut-and-paper art.Based on field investigation and collection and collation of data,systematic analysis and scientific analysis are carried out to integrate the external ecological environment and the internal ecological mechanism.The evaluation of the natural environment,social environment and cultural environment provides a strong realistic basis for the protection and development of the Una Man’s cutting and carving paper art.On the non-heritage protection and utilization,it expounds current protection status and development environment,The experience and enlightenment of successful cases,and constructive suggestions on the interaction mechanism and protection mode of Wula Man cutting-edge paper art,so as to provide a theoretical basis for non-heritage protection,inheritance and development in Jilin Province.The conclusion part summarizes the inheritance,protection and development predicaments of the Wrap Manuscripts,puts forward the development strategy of "internet + Wula Manchu cut paper" mode,the specific implementation route is "1,3,5",Namely an open access database,3 core parts,5 interactive modules.Based on the three new infrastructures of cloud,network and terminal in the era of "Internet +",they jointly form a system promotion platform for online display and offline display.Such a development strategy can not only play a role of communication,exchange and promotion,but also can Effective realization of heritage,protection and development of unity.Therefore,this article integrates and proposes a diversified non-heritage development strategy,which not only provides evidence-based reference value for the inheritance and development of the Una Man’s cutting and cutting paper art,but also provides sustainable development for other categories of non-heritage items programs. |
