| Until after Qiu Chuji westbound audience with Genghis Khan, Quanzhen Taoismformally opened the way for the expansion of the forces in the Shanxi region. When YinZhiping and other third-generation successor to the palm teach, whether it is the scale ofthe development of the Mission, or God’s system of worship, and by virtue of thepowerful forces in the Mission area of social and cultural areas exerted tremendousinfluence. Both the shape and size of the construction of temples, or in which the structureand techniques of mural making, as well as the founder of shaping the image of thePatriarch and so on aspects of religious involvement reflects the visual arts ambitions.The first chapter, respectively, from the regional distribution, construction andarchitectural shapes three times to discuss the whole truth of Shanxi Yuan Dynastybuilding temples. Collected198temples on the distribution of the location andconstruction time for induction and consolidation, and through the architectural form ofdatabase analysis, master all true temples of God’s system of worship, and analyzed fromtwo kinds of waste and the construction of new models.Finally, the construction of theconcept analyzes that will immediately boost the concept of saving people into forcegenerated by the monastic ladder and "promising" outlook Quanzhen doctrinal andreversion traditional thinking led to the establishment of all true Taoist temples prosperousdevelopment.The second chapter is specific to being a Temple to temple mural Yongle PalaceChongyang hall example, discusses Chongyang painting and narrative structure as well asits concrete manifestation of religious convey two aspects. The first section of thenarrative structure of Chongyang temple murals and graphics for analysis, respectively,from the time perspective and define the structure of the three aspects of narrative murals.And noting that the problem does not correspond to the image and the title standingsmurals exist between specific performance figure is larger than the text, the text is greaterthan the figure, graphic unequal manner, and because mutual correction between graphicand reflect the "acculturation" characteristics. In Section2, the structure and the text ofthe source graphic scenes of hell were discussed and borrowing "punctum" conceptRoland Barthes, were explained from the perspective of religious art. Meanwhile, specificto a single set of images were analyzed using the theory PIP image. Chapter III places, Sun Bu’er image of Chongyang temple murals, for example, toexplore the history of shaping the image of the founder of the problem. The first level ofrecognition from the image of the mural Chi Sun Bu’er image, and noted the problemswith the disappearance of the mural. Section from a gender perspective, analyzing theimpact of female identity Sun Bu’er generated by the evolution of its image. Degree ofdifficulty and gender Sun Bu’er arising from the "not the pure faith" to "decisivelyhumanely" attitude changes and their causes men like Gordon really after appearingseparately discussed. Nuns in the third quarter from a widow with two prostitutes was aspecial group to analyze the impact of changes in the overall context of the image of theSun Bu’er, this complexity lead to a negative evaluation of public opinion and affect theimage of the Sun Bu’er text description and image performance. |
