Cultural Conflict And "Romance Of The Three Kingdoms"Traditional View

The scope of this study belongs to the scope of the study of "the romance of the Three Kingdoms" culture. But due to the limited capacity, an angle only choose some traditional ideas as a starting point to study this subject iceberg.The text part is divided into five chapters. The first chapter mainly analyzes the traditional Confucian ethics "benevolence","loyalty","righteousness" the three in the "Romance of the Three Kingdoms" in the characteristics of the conflict, cultural conflict and contradiction behind the penetration of. In the "Romance of the Three Kingdoms""Ren" concept analysis, this paper focuses on the analysis of Liu Bei’s being and the author’s ideal Renjun color characters in his struggle to benevolent ideal and obtain contradiction between political interests, points out that the relationship between Confucianism aspire to political and military struggle and benevolent the interest is not only the lack of contact, even opposite, obtain political benefits conditions reflected on the deviation from the ideal of benevolent government. And the emergence of the concept of Confucianism and Legalism problem lies in the fundamental differences in the political ideas. In the "Romance of the Three Kingdoms""loyalty" concept of the study, this paper points out that the contradiction is the focus of the work of Yu Zhong and loyalty principle feast on rebels also showed tolerance, even for the latter forsake darkness for light show positive recognition. For this problem, we will revert to the evolution process of the spring and Autumn Period "scholar culture" to, and that the scholars in different background, on the "Shi Zhi Dao" understanding of the transformation resulted in the "Romance of the Three Kingdoms""loyalty" concept of contradiction. For the "Romance of the Three Kingdoms" in "righteousness" concept, this paper studies from Mao Zonggang was known as the "justice" of Guan Yu characters, analysis of the nature of its heavy righteousness plot reflects the "righteousness", which found that the influence of the Confucianist and the Mohist school also advocated the "meaning" of the different the connotation of "the romance of the Three Kingdoms" in the conflict between the concept of "justice" by.The second chapter mainly discusses the "Romance of the Three Kingdoms" contradictions among several historical ideas. First of all, for the destiny of nature,"the romance of the Three Kingdoms" in the figures clearly divided into two distinct camps, some of the characters in that Providence after day and do it, while others have to know its not and for attitude against the will of heaven and man, between the two choices of contradictory attitude from Confucianism Kong Meng school and the Xunzi school for the destiny of nature are often, fundamental differences from moral decision destiny. For the period of the Three Kingdoms of Wei and Shu is orthodox, dynasties historian, philosopher, novelist of the controversy has never stopped, their evaluation of the legitimacy of the standard Dynasty is unable to agree on which is right,"Romance of the Three Kingdoms" choice "."Supporting Liu and refusing Cao" political tone, is not the admission of "Romance of the Three Kingdoms" Chen Shou emperor Wei animy shu position. It contains not only the Confucianism of Zhu Xi and a series of Southern Song Dynasty respected artists on the orthodox position of Shu Han, and the public on the real political and ethnic oppression revolt related policy. For the "Romance of the Three Kingdoms" hero concept research mainly concentrated in the "Romance of the Three Kingdoms" Cao Cao location in this character of its historical and literary image from the image. In the annals of the Three Kingdoms "in between" super world Yingjie and "Romance of the Three Kingdoms" in troubled times scoundrel, a moral standard that insurmountable important standard. While the core of history "the romance of the Three Kingdoms" control concept is still the mandate of heaven, but not heroes, for the analysis of this problem will also be in the heroic outlook chapter discusses.The third chapter summarizes the "Romance of the Three Kingdoms" in the reproduction of the late Han Three Kingdoms period of development of Taoism, Taoist and analyzes the political angle, Zhang Lu, Yu Ji and left respectively in practice in three forms. Through to three kind of political model of religious failure experience, comprehensive analysis and Taoists escape was killed, surrender, be strict control of the tragic fate, thus show the Taoism culture since Han Dynasty since the birth of the whole process of struggle, conflict between punch and occupy the mainstream position of Confucian culture, reveals the "Romance of the Three Kingdoms" the plot of the cultural implication of taoism.The fifth chapter "the romance of the Three Kingdoms" and the concept of popular as the breakthrough, first summarizes the previous controversial views on the "Romance of the Three Kingdoms" actual problem, and use the method of textual research on practical,"the former Three Kingdoms" in the past’s not much history between fiction and analyze the relationship between the textual research. Different concepts and the "Romance of the Three Kingdoms" in the presence of contradictions due to the conflict between the upper and lower official historian culture emerging public culture. But in the view of New Historicism scholars, history itself is full of all kinds of fiction, both the Historiographer culture and citizen culture, although they are completely different to the historical issue, but they are actually using the same method to weave the history of ancient books or text of popular fiction.The sixth chapter is the conclusion part, the cultural conflict and fusion theory is introduced, and then combed again "the cultural conflicts embodied in the romance of the Three Kingdoms", in the summary of the whole thesis. At the same time, further prospect of cultural study on "the romance of the Three Kingdoms".