Integrating Ecology In The Qing Dynasty Poet Cohort Study

Three Qin Poetry School is taken as the research object in this paper.The first chapter introduces the origin and the main features. Three Qin Poetry School was a regional poetic school prosperous in shanxi and gansu provinces in the early and middle Qing Dynasty.Their poetic theory more actively inherited the style theory initiated by the writers in the Ming Dynasty,such as Li Mengyang,Kang Hai and Wang Jiusi and purposefully carry forward the regional literature tradition as a representative of Qinfeng. Meanwhile, Their poetry creation also presented diversified feature in artistic style.The second chapter focuses on native poets of Guanzhong,such as three Li one Kang and Wang Hongzhuan in early Qing Dynasty. Li Mengyang’s Style Theory was mainly inherited by these native poets, and to a certain extent, had been improved and perfected. Poets of Guanzhong in early Qing Dynasty reflected a mourning for the former Dynasty, expressed the sensibility of the rise and fall of the nation,hate unjust war and sympathized with the sufferings. Their poems had also the characteristics of Qin Feng with boldness and unconstrainedness.The third chapter mainly discusses these poets’creation, who were born in the Qin and resided in Jiangnan. Ding You(1657) Poem Club that was set up by Sun Zhiwei, Li kai and Pan Lu is a the literati association with political color. The Zhi Club that was set up by Lei ShiJun, WangYan and Zheng Ting zhi in Yangzhou teached the current essays, laid much emphasis on their spirit and moral integrity.After1645, Lei ShiJun,li Yi and Li Pei closely related andexpresse the pain of collapse of Ming Dynasty. Other poet also are such. Sun Zhiwei’s poetry showed dual characteristics combining the generosity and sad of Northwest with mellow and lingering of South.The fourth chapter discusses these poets of Guanzhong who were Officials in the Qing Dynasty.They could be divided into two groups:betrayers and scribes. Poets of Guanzhong in early Qing Dynasty not only created many poems reflecting social unrest and the suffering of people, but also created some works in line with the Confucius poetry standards featuring gentle and kind.The fifth chapter discusses the Guanzhong poets’ composition in the Qianjia periods of Qing Dynasty. Most of poets of guanzhong still persisted in local poetic traditions and kept a distance with the poetry of the mainstream. QuFu’s theory of Bailment emphasized to expressing the poet’s true feelings and advocated a reflection criticism of reality opposed formalism such as pattern theory. Yang Luan thought true feelings should be first in so far as poetic creation, which made the theory of Poetry Root in Feeling better. Wu Zhen’s poetic theory absorbing the reasonable factor that Bailment theory and Temper theory was the products combing Guanzhong with Jiangnan poetics.In the middle of Qing Dynasty, the rule of the high might be a strong and profound deterrent of intellectual heart. Among guanzhong poet in the Qianjia periods of Qing Dynasty, excepting QuFu’s works exposed the political darkness and the official corruption, it is hard to see these content that reflected the reality and criticized current event in the writings of other poets. But compared to the palace poems, and Xingling poetry and Skin Texture poetry, they were still with the value of understanding and aesthetic value and had a special meaning for the Qian Jia Poetry circles.