The Structural Morphology Studies Of The Tibetan Traditional Music

The structural morphology studies of the Tibetan traditional music mainly consist of the following four parts:1. The cultural headstream of the Tibetan traditional music, which is not only the special natural environment, but also the special historical culture including religious philosophy, humanistic idea, artistic aesthetics and so on. Meanwhile It also discusses the relationship between social life and the Tibetan traditional music.2. The classified properties of traditional music, which refer to not only the factors of different themes but also the different stylistic sorts including folk music, sacred music, palace music and so on. It also discusses the influence of cultural communication to the Tibetan traditional music.3. The structural characteristics of the Tibetan traditional music, which refer to not only the dlohotomous technique but also the triohotomous structure including singing and dancing mode, musical dance mode, drama mode and etc. It also discusses the structures' individuality and commonness of the Tibetan traditional music.4. The structural technique of the Tibetan traditional music, which refers to both unitary routine logic and partial improvlsatorial technique including melody technique, harmony technique, counterpoint technique and so on. It alsodiscusses the variability and development of structural form of the Tibetan traditional music.