Feel Wooden Long Occupational Tibetan Opera And Vocal Music

The "Jue Mu Long" Occupational Tibetan Opera, was one of the main representative regional schools in the Tibetan blue mask Opera and was also the regional characteristic folk opera art. The vocal music singing style of the "Jue Mu Long" Occupational Tibetan Opera was high, clear, bold and mellow. Its content was rich and vivid, its language was simple, vivid and touching. The "Jue Mu Long" Occupational Tibetan Opera represented the voice of Tibetan people. It was the product combined the deep Tibetan history and cultural with the strong local folk art. The author of the dissertation studied from a historical perspective and applyed cultural anthropology, folklore, folk music theory and adopted the investigation method, literature analysis method, comprehensive study of law, I did a comprehensive and systematic academic argumentation on the vocal music singing style of the "Jue Mu Long" Occupational Tibetan Opera.The dissertation is divided into five parts:the first chapter, the history and culture of Tibet and the Tibetan Opera background. This section demonstrated from three aspects:the Tibetan geographic and social development, Tibetan unique religion, the formation and development of Tibetan Opera and the custom of Tibetan opera performances. The second chapter, the formation and succession about the "Jue Mu Long" Occupational Tibetan Opera. This section narrated the opera art course of the Occupational Tibetan Opera, including the development situation of the folk Occupational Tibetan Opera and the development situation of the Occupational Tibetan Opera; the famous actor Biographies of the Occupational Tibetan Opera.I still narrated the inheritance and development of the Occupational Tibetan Opera, including the training organization and the performing arts place of the Occupational Tibetan Opera ect.The third chapter, the comprehensive performing arts form of the Occupational Tibetan Opera. This section included the performing arts overview, the role type and the performing form of the Occupational Tibetan Opera. Also including the comprehensive stage art and the the main content narration of the traditional opera on the Occupational Tibetan Opera. The fourth chapter, the analysis of the the vocal music singing style of the "Jue Mu Long" Occupational Tibetan Opera. This chapter was the most important part in my my dissertation. In this section, I demonstrated the analysis of vocal music and the band of the Occupational Tibetan Opera. I also analyzed the traditional singing paragraph music of the famous actors. Through the elaboration and analysis, I put forward my personal views and opinions. Then I discussed the differences of the form of performances between the Occupational Tibetan Opera and the folk amateur Tibetan Opera. The fifth chapter, the cultural interpretation on the "Jue Mu Long" Occupational Tibetan Opera. This section included the entertainment function, the union function and the script content aesthetic meaning about the Occupational Tibetan Opera. Also including the interpretation of the religious and secular meaning on the Occupational Tibetan Opera.The final elaboration included the Occupational Tibetan Opera mounted transverse art exchange from the closed situation to the open state; the cultural significance and value on the Occupational Tibetan Opera. Also including the Occupational Tibetan Opera faced the crisis of survival and the inheritance and protection of the Occupational Tibetan Opera.The dissertation may be said to give the theory and practice of academic argument between the historical development and the vocal music singing on the Occupational Tibetan Opera. And to empirically show that the Occupational Tibetan Opera included the folk custom and its social function as folk opera culture in the local folk life.