Research On Structural Absurd Tendency About Pre-Qin Numismatic Wordage

Now, the research on Pre-Qin numismatic wordage is much slower than on Zhan Guo wordage. As working for the research on numismatic wordage, most scholars study wordage form the archaeology, history culture and literature. In the philology, the research on wordage is stressed on explaining the single word and compiling the dictionary. The developing philology theory has not been embodied from numismatic wordage. Based on the development history of Chinese characters, we have not started the research on the system of structure, the feature of shape and the rule of evolution. It is really regret in the research on Paleography, especially on Zhan Guo wordage. So, the thesis is based on numismatic materials and features, using the modern digital technology, studying the essence of words and the environment of culture, editing the systems of words and structure, summarizing the feature of structural mutation by comparing other types. The thesis reveals that the structure of wordage shows the absurd tendency.The thesis has six chapters. The preamble overviews the situation of the research on Pre-Qinnumismatic wordage, establishes the angel of research from the experience and materials, then, corroborates the extent of materials and the method of research. The subsequent five chapters are stressed on the structural absurd tendency. The chapter one, the absurd tendency is straight. It first makes statistics for the straight absurd tendency of numismatic wordage, compares the development of shapes with the words from the Inscription on bronze of Zhou Dynasty, then, reveals the feature and the tendency and analyzes the reason with actual behavior of writing. The chapter two, the absurd tendency is outline. It also begins at studying the content of outline and its features, then, researches deeply its destruction on the structural reason through the single cases and comparison. The chapter three, the absurd tendency is borrowing. It discusses the borrowing in the Chinese elements and decorations, also compares with the words from the Inscription on bronze and shows that the borrowing takes the absurd tendency by simplifying reasonably. The chapter four, the Chinese figures which are upwards of ten in the absurd tendency. It researches the abundant figures and edits the history development, analyzes the permutation and theory, shows the diversity and contribution for the traditional wordage. The chapter five, the order of words is changing in the absurd tendency. It talks about the concept and the development, explores the details in Pre-Qin numismatic wordage, and analyzes the reason with the craft of coin.