A Study On The Literate Play In Qian Long Dynasty

Qianlong Dynasty was a transition period of prosper to decaying in feudal era Influenced by the rulers'promotion and social Convention opera and cultural activities were flourishing in the Qianlong Dynasty, as a new paradigm which was the same transition period of the survival mode, excerpts started to replace the whole of show, Hua Department started to replace the Ya Department and script-writing stage performance started to replace opera creation. Qianlong Dynasty was the last climax of a classical opera culture and last batch of scholars'classical opera.143 Iterates created 382 kinds of plays and was Preserved more than 70 percent. TANG Ying, JIANG Shi-Quan, ZHANG Jian, Yang Chao guan, Xu Xi, Shen Qifeng and other outstanding play writers Inherited the former artists'experience to strive to create a field of the text and the desk, opera creation appeared overall characteristic of subjective, realization, morality poem culture, elegance Because of the strong subjective reflection,the communication and presentation reflected the feature of minority, real-time and Immediate nature which indicated a strong tendency of desk literateThe plays in Qianlong Dynasty reflected the division and loss of writers'psychology of and sentimental emotion. the historical significance of the literate play in Qianlong Dynasty reflected the essence of a sudden spurt collapse. The literary drama was the end of the second mature phase of classic opera after "Nan hong Bei kong," it stayed in an important position of cultural coordinates in the later period of Qing dynasty.