| Since the TV Love and marriage program was born in the 1980 s in China,it has been active on the screen,it also went through cycles of wide release,mass homogenization,mass extinction,and mass rebirth,and,in general,the monotonous model of matchmaking,the fast-matching model,the historical development and change of the four stages of the model of emotion observation reality show and the model of immersive full-interaction love.At present,there is little research on the overall development of China’s TV programs about love and marriage,and it becomes very complicated to find the logical rules,analysis ways,classification and integration from the large-scale TV programs about love and marriage.Combining with the content,production form,narrative mode,field characteristics and technology application of China’s TV love and marriage programs,this paper expounds the development process of our country’s love and marriage programs over the years in detail,this paper sums up the causes of the repeated homogenization of program types and program forms from the law of evolution in the process of development,and also from the aspects of the scene of program shooting,the angle of view of narration,the content of expression,etc.,from the external to the internal excavation of each marriage show iterative development of innovation.Using literature,case studies and transdisciplinarity,the paper explores the value restructuring implications of this recurring phenomenon of programme homogeneity and innovation for Chinese TV Love and marriage programmes,sum Up the sustainable development path of China’s TV love and marriage programs. |
