| As the only intangible cultural heritage of sports in Xindingyuan,Ticksheep Race has formed and developed together with China’s long history and colorful culture,and is the deposit of wisdom of the people in Xindingyuan.As a kind of cultural memory,it relies on the form of sports.It is not only an intrinsic cultural resource in sports,but also a typical representative of sports culture.Due to its long history,it is constantly constructed by generations of people and finally forms a kind of cultural memory.As The Times go on,some memories of the tickling are disappearing.Therefore,studying the cultural memory of the Ruffle is the key to promoting the sustainable development of the Ruffle is also the key to digging the deep cultural identity contained in the Ruffle,tracing the context of the ruffle culture,and realizing the development of the Ruffle in the new era.In this paper,the mass wrestling event--sheep scratching competition,which was widely carried out in Xindingyuan,Shanxi Province,is taken as the research object.By referring to theoretical basis such as cultural memory theory,cultural change theory,cultural reproduction theory,literature research method,oral history,field investigation method and comparative analysis method,on the basis of clarifying relevant concepts such as "sheep scratching Competition" and "cultural memory",To sort out the source of the cultural memory of the Tuiyang Race,construct the framework and content of the memory,then sort out the way of the memory of the Tuiyang Race,and finally put forward a plan to reproduce the memory of the Tuiyang Race,so as to realize the identity of the people in Xindingyuan to the Tuiyang Race culture and strengthen the cultural confidence of the region.According to the study:(1)The cultural memory of the sheep game originated from the "Chiyou game" in the primitive society period,and evolved into "wrestling" in the slave society period.In the feudal society period,the development was the fastest,and gradually there were"Jiaoyi"."sumo" and so on.(2)The cultural memory of Qingyang Competition mainly includes three elements:"people","things" and "things".The memory elements with "people" as the carrier are mainly divided into social members,sheep takers,wrestlers,wrestlers and spectators;The elements of memory based on "events" mainly include festival celebrations.traditional ceremonies and large-scale sheep-scratching competitions.The elements of memory with "thing" as the carrier mainly include the venue.flag,prize.communication platform,etc.(3)There are four main ways to remember the culture of Ruaovangzai.which are written memory(local records,ancient books,periodicals,papers,etc.);Ritual memory mode(temple fair);Place memory mode(gymnasium,wrestling garden,etc.):New media memory(TV,short video.wechat.etc.).(4)The way to reproduce the cultural memory of Ruaoyang Competition is mainly explored from the level of ontology,education and media.From the ontology level,it is necessary to develop the cultural memory of the sheep tickle competition at the instrument level in the protection,at the skill level in the inheritance,at the spiritual level in the collection of hundreds of people,and at the institutional level in the practice.From the perspective of education,it is necessary to integrate the Ruiyang Show into school education,social education and family education to reproduce the cultural memory of Ruiyang Show.Starting from the level of communication media,it is necessary to give full play to traditional media,reasonably rely on modern media,and seek the integrated development of modern media and traditional media to reproduce the cultural memory of Ruaoyang Competition. |