| In Chinese painting theory,in addition to "resemblance","spirit",and "rhyme",emphasis is also placed on "ease".As an important aesthetic category in traditional Chinese aesthetics,"ease" gradually transformed from the alienation of personality and even the seclusion of behavior during the Wei and Jin dynasties to the "ease style" in painting theory,becoming an important standard for the evaluation of literati painting in the future.Ultimately,the character of "ease" became the criterion for literati painters to consciously explore."ease" in painting mainly refers to the subject’s cultivation of transcending the mundane,as well as the lofty and indifferent demeanor.As an influential meticulous painting on the theme of official seclusion,Sun Wei’s "The Painting of High and Elegance" depicts the famous group of hermits during the Six Dynasties period-the Seven Sages of the Bamboo Forest.As a representative of Wei and Jin style and character,the spiritual connotation of the Seven Sages of the Bamboo Forest is also a realm of thought pursued by later literati.This article connects the aesthetic taste of "Yi" in ancient painting theory with the aesthetic taste in "Gao Yi Tu",in order to better grasp the aesthetic characteristics of "Yi" in specific works.It is concluded that "Gao Yi Tu",a meticulous and finely colored meticulous work,also meets the aesthetic standards of "Yi Ge".The article mainly discusses the aesthetic expression of "Yi" in "Gao Yi Tu".Firstly,starting from the development and evolution of "Yi",this article briefly summarizes and summarizes the literature and painting theory from pre Qin to Wei and Jin dynasties.Secondly,the main analysis focuses on the relationship between "Gao Yi Tu" and "Yi".Whether it is the expression of the creative theme,the personality of the grandchild,and the attitude towards life,all play an important role in the expression of "Yi".We have once again explored the specific manifestations of "Yi" in the "Gao Yi Tu",attempting to analyze the imagery,environmental creation,and artistic techniques and performance characteristics of the work,in order to uncover the "Yi Qu" that these details bring to the painting.From an aesthetic perspective,the ultimate exploration of "Yi" in "Gao Yi Tu" is a painting that transcends resemblance and rules,and represents the creative subject’s free mindset during creation.In this state,it reflects the spiritual connotations of "inaction" and "self existence".It can be seen that in addition to the personality and artistic techniques of the painter that bring style and visual temperament to the work,having a "self examination" attitude towards the picture can truly promote the burst of the "ease" spirit in the work. |