| "The Peiyang Pictorial News " was a popular pictorial publication founded by Feng Wuyue in Tianjin,and it is well-known as the reputation of "giant of the northern pictorials " because of its unique reporting style and wide range of coverage."the Peiyang Pictorial News " was founded in 1926 and ceased publication in 1937,of which the mission is "spreading current affairs,promoting art,inculcating common sense ".It had relatively comprehensively reported no matter current affairs or literature and art,which can be called a full collection of all documents from 1926 to 1937.In addition to current affairs,popular fiction and traditional theatre,"the Peiyang Pictorial News " also had fully reported the art of modern Chinese drama.As an "imported product ",drama has been developed for a long term in China.After its introduction to China,and through the May Fourth Movement and the New Culture Movement,modern Chinese drama has a new dimension.The constant innovation of the work of theatre creators,the spectacular performances of theatre groups and the emergence of theatre talent....all these phenomena have gone throughout modern Chinese history.Founded in the culturally rich city of Tianjin,"the Peiyang Pictorial News" independently has its own unique geographical location.Combined with the attentions to the art of drama paid by editors and professional journalists,it had the possibility to own the unique perspective to observe how modern Chinese drama changed over the stream of history,providing valuable information for future generations to study the development of modern Chinese drama between 1926 and 1937.Due to the powerful influence,rich documents and the intersection with many elements of drama that can’t be ignored in the history of Chinese drama of "the Peiyang Pictorial News ",analyzing modern Chinese drama through "the Peiyang Pictorial News " becomes a valuable researching task.Started from the newspaper text of "the Peiyang Pictorial News",this paper explores the two-way interaction between "the Peiyang Pictorial News" and modern Chinese drama,which not only digs out the significance back of the phenomena of modern Chinese drama in the perspective of "the Peiyang Pictorial News",but also critiques the way in which "the Peiyang Pictorial News" reported on modern Chinese drama.In addition to the introduction of researching object and method,this paper is also focused on four aspects:Since "The Pei Yang Pictorial News " was founded in Tianjin and Nankai drama activities were popular at that time,"The Pei Yang Pictorial News " has unique reporting conditions.Therefore,the first module mainly expounds the characteristics of Nankai drama in "The Pei Yang Pictorial News" and the attention of "The Pei Yang Pictorial News " to Nankai drama.In this module,the article points out that "The Pei Yang Pictorial News" attaches great importance to the acting skills and overall stage performance of Nankai drama actors.In "The Pei Yang Pictorial News " s opinion,Nankai drama actors have excellent acting skills and great stage effect.In the aspect of drama arrangement in Nankai,it mainly takes script,director,scenery and other key elements as the key elements,pointing out that Nankai drama performance editing and directing system is very advanced,and the processing of scripts is also very excellent.At the same time,it also points out that the trend and characteristics of Nankai drama in Beiyang Pictorial from 1926 to 1937 are advanced,innovative,anti-feudal and patriotic.The second key module discusses the performance activities and ideological changes between "The Pei Yang Pictorial News" and playwright Xiong Foxi.This paper mainly sorts out relevant materials of Xiong Foxi in "The Pei Yang Pictorial News " : Xiong Foxi’s performances in Tianjin and Beijing and relevant historical records in "The Pei Yang Pictorial News ".At the same time,it points out the gains and losses of Xiong Foxi’s performances in Tianjin through the report of Beiyang Pictorial.Meanwhile,it also analyzes Xiong Foxi’s gains in combination with Xiong Foxi’s performance experience in Beiyang Pictorial: the experience in Tianjin and Beiping laid the foundation for his popularization of drama experiments in the future.At the same time,it also points out that Xiong Foxi’s artistic path and ideological transformation were recorded in "The Pei Yang Pictorial News" combined with relevant historical materials.Further,"The Pei Yang Pictorial News" recorded the relevant materials of Xiong Foxi’s popularization practice.The third key module discusses the relationship between "The Pei Yang Pictorial News" and "The Travel Drama Troupe of China".In the overall report of "The Pei Yang Pictorial News",the report of “The Travel Drama Troupe of China” can be said to be quite rich.There are performances that have come to Tianjin many times and performances in other regions.At the same time,"The Pei Yang Pictorial News" has achieved two-way interaction with “The Travel Drama Troupe of China”.The newspaper takes Pictorial as its selling point,and "The Travel Drama Troupe of China" provides materials for pictorial.In addition,the pictorial shows the performing culture of "The Travel Drama Troupe of China" that fosters the group’s star and forming the star worship culture in the drama.It makes it possible to further explore its value.The fourth key module analyses the development of Chinese modern drama through "The Pei Yang Pictorial News ".It points out the scope of concern of "The Pei Yang Pictorial News" and points out that the performance platforms that Pictorial pays attention to drama include schools,societies and charity conferences.At the same time,it can be found that excellent drama scripts have been very popular."The Pei Yang Pictorial News" not only focuses on the surface of the drama,but also analyses the ideas conveyed by it.This part mainly combs the drama categories and the development trend of drama that "The Pei Yang Pictorial News" pays attention to.Finally,the conclusion is drawn that in the attention of "The Pei Yang Pictorial News ",the drama themes were diversified,various themes have emerged,the performance technology was becoming more mature,and the performance ideas were becoming more and more rich.The conclusion aims to review the full text,summarize the full text,and summarize the content of the full text. |
