Micro-Narrative Research Of Chinese Traditional Culture Documentary

The fine traditional culture of the Chinese nation is not only the precious spiritual wealth belonging to the Chinese nation,but also the spiritual driving force for realizing the great rejuvenation of the Chinese nation.Traditional culture micro-documentaries take excellent traditional culture as the main content,absorb the fragmented characteristics of new media on the basis of documentary,develop in line with the trend of short video and mobile new media,and become a form of cultural communication favored by the people.For example,micro documentaries such as "If the National Treasure Can Talk","Forbidden City 100","Breakfast China" and "How to Tell this Painting",as the achievements of documentary transformation and innovation,have been recognized by both reputation and flow.Narrative strategy is the key to documentary creation.A good narrative strategy can make traditional culture shine with the support of documentary images.Therefore,this thsis to "If the National Treasure Can Talk","Forbidden City 100","Breakfast China" and "How to Tell this Painting" as example,the use of film narrative theory,analyze the new media era traditional culture documentary in the narrative perspective,narrative,narrative language,present new characteristics,in order to provide reference for the transformation of traditional culture documentary.In addition,on the basis of the theory of film and television narration,the micro-narrative theory of the graduation work Porcelain Encounter is analyzed,and the micro-narrative logic and existing deficiencies are found through the theoretical guidance.First,the introduction part discusses the research background,research purpose and research methods of micro-narrative of traditional cultural micro-documentary,and sorts out the existing research of documentary micro-narrative to clarify the theoretical guidance framework of this thesis.The second chapter studies the micro-narrative characteristics of new media in the Internet era,On the basis of the micro-narrative,the micro-narrative characteristics of the traditional cultural micro-documentary are analyzed;Chapter three,starting from the perspective of traditional cultural micro-documentary,Found that,when compared to traditional TV documentaries,The narrative perspective of micro-documentaries is more common,The perspective of the characters is also the focus,On this basis,we analyze the application of micro-narrative perspective in Porcelain Encounter;The fourth chapter discusses the micro-narrative mode of the traditional cultural micro-documentary,Found that cultural microdocumentaries adopt an open and non-linear narrative structure in the narrative structure,In terms of narrative techniques,focusing on the emotional center and magnifying the details of events,The Porcelain Encounter narrative structure and the micro-narrative technique to magnify the details of events are the application practice of traditional cultural micro-documentary micro-narrative mode;In the narrative language of micro documentary,To study how micro documentaries use the rhythm of the camera and the character lines in a short period of time,Presents a short and concise visual performance effect,At the same time,to explore the narrative language of The Porcelain Encounter,Found its micro-narrative characteristics in the camera rhythm and dialogue.In the conclusion part,the full text research is summarized and the conclusion is proposed,the problems existing in the full text are analyzed,and finally further theoretical research and thinking are put forward for the innovation of micro-narrative techniques of traditional cultural micro-documentary.