Research On Hu Zongzong's Imitation Of Yuef

Hu Zuanzong,named Bird Rat Mountain Man,Ke Quan,born in Qin’an,Tianshui,Gansu Province,mainly participated in Zhengde and Jiajing period,was a very representative figure in the creation of Yuefu in the Ming Dynasty.He left a rich literary heritage in the theory and creation of Yuefu.Hu Zuanzong adhered to the ancestral motto of "build his own family" and "do not follow others" throughout his life.He always kept a sharp and clear academic mind and a very forward-looking vision even under the trend of retro poetry in the Ming Dynasty.It was “Ni Han Yue Fu”introduced the creation of imitated ancient Yuefu in the Ming Dynasty into the style of Han Yuefu.“Ke Quan Ni Ya Weng Ni Gu Yue Fu" completely overthrow its early creation model of imitating Gu Yue Fu,tried to break away from the stereotype,and reflect on the retro movement from the perspective of development dialectics.The theory: "people are different in the world,and words are various in different time" is summarized from the book to explain the root cause of the retro movement falling into plagiarism,and to provide a new explanation for neutralizing the disadvantages of"retro".The introduction part mainly expounds the background and meaning of the topic selection,and summarizes the research findings of Hu Zuanzong in the current academic field.The text is divided into five parts:The first chapter introduces the life story and main academic thoughts of Hu Zuanzong.The main focus is to introduce the story of the famous literary disaster "Hu Zuanzong Poetry Case" in the Jiajing period.Hu Zuanzong is known as the "Confucian sect of the generation",and his great attention to "etiquette" runs through literary theory and creative practice.Hu Zuanzong was a disciple of Neo-Confucianism in the Song and Ming dynasties,advocating the concepts of "neutralization" "stop to some extent" and "stop from feeling to ceremony".On the issue of restoring the ancients,the "Six Classics" and the Qin and Han Dynasties are the main themes of the poem.Regardless of how the model of imitating the ancients changed in the later period,Hu Zuanzong always regarded the "Three Hundred Chapters" as the highest model and the "elegant" spirit as the ultimate goal.The second chapter studies Hu Zuanzong’s concept of the Yuefu in chronological order,analyzes the negative phenomenon of negation in his Yuefu concept,and makes a conclusion that Hu Zuanzong "regrets himself in his later years".Hu Zuanzong constantly expanded his approach to the creation of imitating Yuefu.This chapter also probes into the creation background,version and circulation of the "Ni Han Yuefu" and "Ke Quan Ni Ya Weng Ni Gu Yuefu",and draws conclusions differently from the current academic circles about the creation time of "Ni Han Yuefu" and the number of poems in "Ke Quan Ni Ya Weng Ni Gu Yuefu".The third chapter makes a concrete analysis of the text,and explores the characteristics of the "empress theme","theme of separation","theme of monarch and minister" and "fate theme" in Hu Zuanzong’s proposed Yuefu works,as well as the causes of the unrealistic theme.The fourth chapter analyzes the artistic characteristics of Hu Zuanzong’s proposed Yuefu from three concepts: "passionate and vigorous,close to Qin’s voice","elegant and upright intention is enough to be interested",and "flexible and upright style is innovative".The fifth chapter makes a discussion on the value and influence of Hu Zuanzong’s "Proposed Yuefu" from three aspects.By investgating Hu Zuanzong’s inheritance and innovation of Li Dongyang’s imitation of ancient Yuefu,his exploration of "the voice of a generation" and brave attempt to create the possibility and standardization of "Yuefu transformation" can be explored.In terms of the impact of the rise of the retro poetics in the Ming Dynasty,Hu Zuanzong’s quasi-Yuefu creation is a revolutionary work,a literary model of pursuing "new changes",and a typical creation model of anti-plagiarism and plagiarism under the retro trend of thought.Hu Zuanzong also paid attention to the inevitable chronic disease of literary retro because of "changing times",which laid the fire for the repeated trend of ancient literature in the late Ming Dynasty.Hu Zuanzong devoted his life to carrying forward the "Yong" culture and consciously examined his works and scholars from the perspective of regional literature,which played a vital role in the formation of Guanlong Literature Group.